Film
El Camino could quite easily have been a cash-cow sequel full of tedious callbacks, but instead is a touching love letter to Jesse Pinkman.
Memory: The Origins of Alien is a story that is best left explained to the film itself, a magic that is only felt through Philippe’s work.
Joker is anchored by a riveting performance from Joaquin Phoenix, who manages to elevate an otherwise subpar origin story for the Clown Prince of Crime.
Uncanny Annie scratches that gaming itch and more as it takes the audience on a trip that consistently left me saying “they won’t do that…will they?”
Shudder’s first exclusive release of the spooky season, The Furies, is a slasher with twists, kills, and a whole lot of final girls.
In Sweetheart, written and directed by J.D. Dillard, we get a survival horror creature feature that gets your blood pumping with the same fear of Jaws.
The Lodge is a film that makes you squirm, crawls under your skin, and doesn’t leave you. Horror, psychological exploration, and more await you.
Knives Out is a breath of fresh air that uses all of Johnson’s skills as a writer and director to craft an amazing whodunnit.
The Downton Abbey movie is just a longer episode of the tv series. As a longtime Downton fan myself, I left the theater entertained, but disappointed.
In the Shadow of the Moon is a great genre-bending film that is filled with ambition and stellar performances through four decades.
TRENDING POSTS
The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.












