Film
Never judge a book by its cover… or a film by its extremely short synopsis. That’s the lesson of Shudder’s The Pool, a Thai horror-thriller with teeth.
Amulet is the directorial debut of Romola Garai and was an official selection of the 2020 Sundance Film Festival, where it had its World Premiere.
While it might not seem as exciting on a tv rather than actually being in the room where it happened, the brilliance of Hamilton translates with ease.
In Relic, from IFC Midnight, a woman links her mother’s increasingly volatile behavior to an evil presence at their family’s decaying country home.
Mucho Mucho Amor: The Legend of Walter Mercado, the Netflix Original documentary, dives into Walter’s life, legacy, and love.
The best war films know what they are and lean into it. Greyhound, unfortunately, does not seem to possess that sense of identity.
Metamorphosis is a Shudder Original South Korean possession film that aims to be a love letter for the subgenre while trying to do something different.
Palm Springs is laugh-out-loud funny, so gosh-darn endearing, and respectful of its audience. I’m ready to make a long-term commitment to Palm Springs.
Don’t go into Eurovision Song Contest: The Story of Fire Saga expecting Blades of Glory level humor. Rather, it’s a love letter to Eurovision.
‘Athlete A’ is the documentary that focuses on the former USA Gymnastics’ team doctor Larry Nassar and the abuse athletes experienced while under his care.
TRENDING POSTS
The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.











