Film
Shudder Original La Llorona, from writer-director Jayro Bustamante, is powerful in its terror and its commentary in equal messure.
‘A Thousand Cuts’ primarily follows journalist Maria Ressa and her team of journalists at the Rappler as they attempt to defend press freedom.
Babysplitters is energetic and incredibly funny, but it’s the warmth and sincerity that lingers. Find out why this is one not to sleep on.
Never judge a book by its cover… or a film by its extremely short synopsis. That’s the lesson of Shudder’s The Pool, a Thai horror-thriller with teeth.
Amulet is the directorial debut of Romola Garai and was an official selection of the 2020 Sundance Film Festival, where it had its World Premiere.
While it might not seem as exciting on a tv rather than actually being in the room where it happened, the brilliance of Hamilton translates with ease.
In Relic, from IFC Midnight, a woman links her mother’s increasingly volatile behavior to an evil presence at their family’s decaying country home.
Mucho Mucho Amor: The Legend of Walter Mercado, the Netflix Original documentary, dives into Walter’s life, legacy, and love.
The best war films know what they are and lean into it. Greyhound, unfortunately, does not seem to possess that sense of identity.
Metamorphosis is a Shudder Original South Korean possession film that aims to be a love letter for the subgenre while trying to do something different.
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Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.













