Film

Reality is the tool that Asomugha uses to pull the tension tighter, each choice and answer building a snowball of consequences in The Knife.

It is understandable how Shin Godzilla succeeded at the box office nearly a decade ago. The strength of its story still stands today.

Genndy Tartakovsky’s Fixed pushes boundaries when it comes to shock jock jokes but also showcases why we need 2D animation back.

Denzel Washington puts on a clinic along with a stacked cast as he struggles to choose between family and business in Highest 2 Lowest.

Bob Odenkirk makes a brilliant return to action with Timo Tjahjanto and Derek Kolstad’s Nobody 2, only this time he wants to go on vacation.

Witchboard (2025) lacks an identity that its cult film predecessor nailed, proving that it won’t reach cult status anytime soon.

Mononoke The Movie: Chapter II – The Ashes of Rage delivers a return visit to the Ōoku where a new supernatural threat could consume them all

Stop-motion animation is an art form that I hope never dies out, and I Am Frankelda proves why with its passion and creativity.

Lured in with the prospect of tentacles, Addison Heinmann’s Touch Me is much more than its tantalizing tidbits, offering equal humor and gore

Strange Harvest is a frequently engaging experiment that doesn’t get the desired result due to the undercooked nature of its storytelling.