Film
Netflix Original Mission: Cross is light-hearted and action-packed and offers a salient take on marriage at the same time.
Alien: Romulus is a horror-forward swing for the fences with a third act that is uniquely unsettling, capturing the excitement of the original.
Mash Ville is a lot, and it’s not always coherent. Yet, it’s always entertaining, charismatic, and an extremely fun cinematic time.
Lolo and the Kid is sweet and simple, but it’s also special as this dynamic duo pretent to put Kid up for adoption so they can rob nice rich people blind.
Neil Marshall’s latest film, Duchess, is an inert hodgepodge of tropes from much better films thrown to screen without care.
Borderlands feels like glorified cosplay, where capable performers merely take position and feign emotion to get a nice group picture.
Lily and Ryle fall in love in It Ends With Us, but as Ryle’s true nature slowly reveals itself, Lily’s past starts to repeat itself.
With a short runtime of just over an hour, Family Portrait is about what it makes you feel, not what it’s telling you.
Netflix produces a fair number of excellent original animated projects. Saving Bikini Bottom: The Sandy Cheeks…
House of Sayuri is interesting, scary, and funny, but its real flaw is the lack of balance in how it transitions through its emotions.
TRENDING POSTS
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.