Film
With deep influences from the French and Iranian New Waves, Universal Language is equal parts a moving experience and a profound piece of art.
Paddington in Peru has much of the charm of the previous movies, but a lot is lost in the transition to an Indiana Jones-like adventure format.
No Other Land is a vital documentary about the destruction of West Bank’s Masafer Yatta that understands the power of resistance through filmmaking.
Heart Eyes (2025) knows how to keep love in the air while splattering heaps of blood on the ground.
Love Hurts (2025) is a fun movie, but it has a big Rose-sized pain point as the character doesn’t match the tone of the rest of the action-comedy antics.
Predators lacks the structure or commitment to completely confront its subject in a satisfying manner, but gets close in some key areas.
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Bunnylovr is a strong showing of tenderness and understanding that highlights Katarina Zhu’s ability to paint an immersive portrait.
Writer-director Rashad Frett’s feature debut, Ricky (2025), is necessary viewing, and a prime example of compassionate storytelling.
Plainclothes (2025) is an emotionally dense watch as Lucas comes into his truth, but his guilt weighs heavy.
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It is understandable how Shin Godzilla succeeded at the box office nearly a decade ago. The strength of its story still stands today.
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Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.