Film
Comedy is a familiar place for multi-hyphenate Steve Pink, but the arrival of Terrestrial (2025) takes this director into unfamiliar territory.
The Girl Who Stole Time absolutely astounds with its animation, crafting a visually satisfying venture while never forgetting its message.
Death Does Not Exist operates in the realm of the existential, where an internal debate as old as time is given new life.
A24’s Eddington is Ari Aster’s worst film. It grips tightly onto social media speak and doesn’t let go, to its detriment.
Wall to Wall (2025) seems like it would be built on a solid foundation. Unfortunately, once it reaches the halfway mark, it starts to crumble.
Hold The Fort is so-silly-it’s-kind-of-stupid levels of fun. From beginning to end, even in the most violent situations, the humor never stops.
I Know What You Did Last Summer (2025) is a summer movie that embodies the 90s for better (its vibe) and worse (its fashion choices).
Jujutsu Kaisen: Hidden Inventory / Premature Death – The Movie gives the series greatest arc a well-deserved theatrical treatment.
A Whisper A Scream and A Cut to Black thrusts its film crew into an unimaginable nightmare when they’re targeted by the ultimate villain.
Heads of State is something to watch with a big bowl of popcorn. The film isn’t perfect, but Idris Elba and John Cena are a duo we love.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














