Film
Mickey 17 keeps Bong Joon-ho’s filmography as an inventive and incisive look at how bad everything is and how we can improve it.
Queen of the Ring is a look at the birth of women’s wrestling through Mildred Burke, with Emily Bett Rickards like you’ve never seen before.
Trapezium follows high school student Azuma as she pursues her dream of being an idol, with little thought to what it could do to others.
Hitmen, corruption, and a masked crime syndicate collide om Netflix’s ‘Demon City,’ a live-action adaptation of Masamichi Kawabe’s ‘Oni Goroshi.’
To put it simply, The Monkey is Goosebumps for adults with Oz Perkins’ sense of humor blending wonder and the macabre.
Daisy Ridley stars in the action film Cleaner (2025), which is trapped by its desire to say something important despite its silliness.
With a lot of romance, a little bit of horror, a heavy heaping of action, and a foot on the gas pedal The Gorge is one to watch.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Captain America Brave New World is less interested in reinvigorating the landscape of the comic book film than pulling off the original Marvel formula.
With deep influences from the French and Iranian New Waves, Universal Language is equal parts a moving experience and a profound piece of art.
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Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.