Film
Baby Money is a taut crime heist gone wrong, much in the vein of 2017’s Good Time but without the directorial flair and finesse of the Safdie Brothers.
Hotel Poseidon mistakes surreal images for well-rounded characters and story which leads to an ultimately shallow viewing experience.
Takahide Mori’s ‘Junk Head’ is an astonishing sci-fi horror film that features godlike stop-motion animation and existential ponderings.
This year at the 25th Anniversary of the film festival, the Tokyo Revengers live-action screened, with the hype of a successful first cour of the series.
King Knight wrings quite a bit of comedy out of its flimsy premise, thanks to a director who’s done his Wicca research & a talented ensemble.
The Swarm sees mother of two Virginie’s Locust farm struggling to stay afloat when she makes a startling discovery. The Locust crave blood.
‘Hayop Ka! The Nimfa Dimaano Story’ is a raunchy and fun Filipino animation about working-class love affairs and social struggles.
Netflix and Sony Pictures Animation’s partnership has been thriving. With The Mitchells vs. The Machines and Wish Dragon out this year, Vivo has some big shoes to fill.
Free Guy dives into gaming, mixes comedy, action, and a whole lot of chaos to be the summer blockbuster you have been waiting for.
The Suicide Squad achieves its mission in more ways than one in this gruesome action-packed film that will leave you laughing and wincing in the best way.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














