Film

A Complete Unknown makes all the modern movie mistakes while never really getting to the heart of what makes Bob Dylan interesting.

Eschewing aesthetic flash, Juror #2 is a classically effective drama that thrives off of impeccable staging and layered performances.

Netflix’s Carry-On is an action thriller that absolutely understands where it belongs in its genre and in the Christmas season.

The War of the Rohirrim may not reach the heights of Peter Jackson’s trilogy, but it stands as a worthy addition to the universe.

Thordur Palsson’s The Damned (2024) is an intriguing horror film that creatively showcases the damaging effects of guilt.

Sonic 3 offers infectious joy with Team Sonic at the core, even if we just needed a bit more of Shadow on the screen.

Mufasa: The Lion King is part of a long chain of movies ruined by the errant belief that IP is king, betraying its own morals along the way

Nosferatu (2024) shows that Robert Eggers has not finished growing as a filmmaker, as he expands a well-worn story into something unique.

Maria successfully showcases the interiority Angelina Jolie can bring to a role, but gets a bit lost in the weeds trying to capture a complicated woman.

If Kraven the Hunter is indicative of anything with Sony, it’s that they should’ve stayed in their lane making more trashy good times like this.