Film

With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.

The Amateur follows a CIA decryption specialist as he seeks vengeance on those who killed his wife, attempting to pose harsh moral questions.

Sacramento (2025) is a pleasant homage to California and the Sacramento area that’s overshadowed by a mismatch of acting pairs.

A Nice Indian Boy delivers a strong core story but can’t quite deliver on the main romance due to a lack of chemistry.

Nicole Kidman stars in the hollow and immediately frustrating psychological thriller Holland, directed by Mimi Cave.

Jason Statham’s A Working Man understands the assignment, and it’s better for it, showing that mid-budget action still belong in theaters.

Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.

It’s best to let Dead Lover’s mish mash of genres, low budget, multi-role-taking performers, and off-the-rails shenanigans wash over you.

Yeon Sang-ho’s Revelations (2025) is, by and large, an okay film. Ryu Jun-yeol steals the show, giving one of his strongest performances yet.

A heavy focus on the fears of fatherhood against a severely underdeveloped alien abduction plot leaves Descendent (2025) feeling incomplete.