Film
Hitmen, corruption, and a masked crime syndicate collide om Netflix’s ‘Demon City,’ a live-action adaptation of Masamichi Kawabe’s ‘Oni Goroshi.’
To put it simply, The Monkey is Goosebumps for adults with Oz Perkins’ sense of humor blending wonder and the macabre.
Daisy Ridley stars in the action film Cleaner (2025), which is trapped by its desire to say something important despite its silliness.
With a lot of romance, a little bit of horror, a heavy heaping of action, and a foot on the gas pedal The Gorge is one to watch.Â
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Captain America Brave New World is less interested in reinvigorating the landscape of the comic book film than pulling off the original Marvel formula.
With deep influences from the French and Iranian New Waves, Universal Language is equal parts a moving experience and a profound piece of art.
Paddington in Peru has much of the charm of the previous movies, but a lot is lost in the transition to an Indiana Jones-like adventure format.
No Other Land is a vital documentary about the destruction of West Bank’s Masafer Yatta that understands the power of resistance through filmmaking.
Heart Eyes (2025) knows how to keep love in the air while splattering heaps of blood on the ground.
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‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.