In a political climate of increased censorship, the Monkey Man politics offer a critique of Indian sectarianism and it is a breath of fresh air.
Author: Prabhjot Bains
Prabhjot Bains
Prabhjot Bains is a Toronto-based film writer and critic who has structured his love of the medium around three indisputable truths- the 1970s were the best decade for American cinema, Tom Cruise is the greatest sprinter of all time, and you better not talk about fight club. His first and only love is cinema and he will jump at the chance to argue why his movie opinion is much better than yours. His film interests are diverse, as his love of Hollywood is only matched by his affinity for international cinema. You can reach Prabhjot on Instagram and Twitter @prabhjotbains96. Prabhjot's work can also be found at Exclaim! Tilt Magazine and The Hollywood Handle.
Sugar is exactly what a noir thrust into the 21st century should be: thought-provoking, stylish, and utterly confounding.
Though set in a bleak period of history, A Gentleman in Moscow never fails to lend its tale with a distinct brand of heart and humour.
Anthony Hopkins downplayed performance in One Life personifies the film’s central values, reminding us of our capacity to make a difference.
Manhunt (2024) is as much about the heated pursuit of John Wilkes Booth as it is about the pitfalls of the American experiment.
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Drive-Away Dolls survives as a perfect distillation of the humour and heart Coen brought to his now-legendary partnership.
Since its inception, the colorful and strident soul of Bollywood romances has been a core to Indian cinema. Here are the best.