The Rehearsal season 2 is peak television. Nathan Fielder has never been this ambitious, or perhaps deranged.
Author: James Preston Poole
It’s best to let Dead Lover’s mish mash of genres, low budget, multi-role-taking performers, and off-the-rails shenanigans wash over you.
A heavy focus on the fears of fatherhood against a severely underdeveloped alien abduction plot leaves Descendent (2025) feeling incomplete.
Redux Redux is a wonderfully understated take on the multiverse that doubles as a poignant story of the messiness of letting go of past wounds.
A movie called The Threesome could be just about anything, with most of those things putting titillation first. Chad Hartigan swerves the opposite way.
On Swift Horses is anything but swift, a banal slog that only intermittently comes to life when it’s not trodding over a well-beaten path.
The Surfer (2025) is a hell of a ride, taking audiences through a ridiculous rivalry between a man who just wants to surf and the men who refuse to let him do so.
Nirvanna the Band the Show the Movie is a laugh riot that takes Matt Johnson and Jay McCarrol’s brainchild to new, legally dodgy heights.