Close Menu
  • Support Us
  • Login
  • Newsletter
  • News
  • Features
  • Interviews
  • Reviews
    • Video Games
      • Previews
      • PC
      • PS5
      • Xbox Series X/S
      • Nintendo Switch
      • Xbox One
      • PS4
      • Tabletop
    • Film
    • TV
    • Anime
    • Comics
      • BOOM! Studios
      • Dark Horse Comics
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Indie Comics
      • Marvel Comics
      • Oni-Lion Forge
      • Valiant Comics
      • Vault Comics
  • Podcast
  • More
    • Event Coverage
    • BWT Recommends
    • RSS Feeds
Facebook X (Twitter) Instagram
Support Us
But Why Tho?
RSS Facebook X (Twitter) YouTube
Trending:
  • Features
    Elsa Bloodstone Marvel Rivals

    Elsa Bloodstone Delivers Agile Gameplay As She Brings Her Hunt To ‘Marvel Rivals’

    02/15/2026
    Morning Glory Orphanage

    The Orphanage Is Where The Heart Is In ‘Yakuza Kiwami 3’

    02/14/2026
    Anti-Blackness in Anime

    Anti-Blackness in Anime: We’ve Come Far, But We Still Have Farther To Go

    02/12/2026
    Yakuza Kiwami 3 & Dark Ties

    How Does Yakuza Kiwami 3 & Dark Ties Run On Steam Deck?

    02/11/2026
    Commander Ban Update February 2026 - Format Update

    Commander Format Update Feb 2026: New Unbans and Thankfully Nothing Else

    02/09/2026
  • Holiday
  • K-Dramas
  • Netflix
  • Game Previews
  • Sports
But Why Tho?
Home » Film » REVIEW: ‘Tokyo Uber Blues’ Is Depressingly Relatable

REVIEW: ‘Tokyo Uber Blues’ Is Depressingly Relatable

Sarah MusnickyBy Sarah Musnicky10/21/20244 Mins ReadUpdated:10/21/2024
Tokyo Uber Blues
Share
Facebook Twitter Pinterest Reddit WhatsApp Email

Taku Aoyagi’s Tokyo Uber Blues (Tôkyô jitensha-bushi) reflects a visceral reality for many during the pandemic. When Covid-19 emerged in 2020, the world ground down to a halt. Livelihoods were heavily impacted, but the reliance on delivery services like Uber Eats, Doordash, and more skyrocketed, giving struggling workers a chance to try to make ends meet in a trying time. However, the truth is that all that hard work leads to pennies and, for Taku himself, the slow escalation of loneliness during lockdown.

Tokyo Uber Blues follows Taku, a recent film school graduate at the start of the pandemic in 2020. Confronted with massive student loan debt and the loss of his job due to Japan’s lockdown, he decides to relocate to Tokyo. This heavily populated metropolitan area presents an opportunity for the young graduate. With stories of people’s success making money from Uber Eats, he assumes it’ll be easy money. It is a naive thought, and for viewers familiar with the gig economy, watching the young man learn the hard way is a bit soul-crushing.

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

From the beginning of his journey, Taku has an easygoing attitude. He’s earnest about doing well, but his path has many ups and downs. He arrives in Tokyo broke and unable to buy food or shelter; this proves to be a sign of how hard his journey will be from the start. Thanks to friends and former classmates, Taku can survive, but he is determined to make his way on his merits, hoping not to inconvenience anyone for too long.

This brings us to the crux of the “blues” part of Tokyo Uber Blues. In his quest to succeed, Taku grows more isolated. The loss of connection with people was a common complaint for those who participated in lockdown, and Taku’s first-person POV experiences are relatable. As Tokyo Uber Blues progresses, the wear and tear of this lack of contact with people and his backbreaking daily work schedule weigh heavily on the poor man. By the film’s end, Taku’s final words reflect the biggest lesson learned from his experiences but also mark a loss of innocence.

Tokyo Uber Blues

Utilizing his GoPro and iPhone, Taku’s decision to document every aspect of his experience provides a level of immersion for the viewer that transports us directly into his shoes. This can sometimes make for a brutal experience. In one scene, the sound of his heavy breathing while he climbs up a hill will almost leave you breathless, too. When he falls off his bike, it almost feels like you’re falling with him. Each win is rare but precious. Each loss is devastating. In this, the first-person POV style is a successful way to tap into the audience’s empathy.

Despite the power of including many of his experiences in this first-person documentary, Tokyo Uber Blues feels long. This becomes most present in its latter half, coincidentally featuring Taku at the lowest points of his Uber Eats journey. Trapped in his malaise, the documentary slogs down with him. It’s a double-edged sword. While it feels real to the experience, the pacing loses steam and never quite recovers once it loses its footing.

Still, despite the drastic slowdown, Taku Aoyagi maintains focus with his likability and relatability, and his persevering attitude will have people hoping for the best. And therein lies what makes Tokyo Uber Blues work. If the audience can’t relate to the subject, how can you get them to care? Taku’s struggles, victories, and decision to record his life during a history-making event for all of us make investing easier.

Taku Aoyagi turned his life experience during the pandemic into relatable gold in Tokyo Uber Blues. It’s an incredibly personal snapshot of what is already history but, from a broader perspective, highlights how brutal the gig economy is. What became a source of convenience for many during 2020 turned into the only way Taku (and many others like him) could survive. And it’s a stretch to say that any delivery drivers were able to given the paltry wages.

Tokyo Uber Blues highlights Taku’s future as a filmmaker. Hopefully, he made enough from this documentary to take a break for a while. If not, someone should fix this—stat!

Tokyo Uber Blues premieres on PBS on October 21, 2024, and can be streamed for free on their app.

Tokyo Uber Blues
  • 8/10
    Rating - 8/10
8/10

TL;DR

Tokyo Uber Blues highlights Taku’s future as a filmmaker. Hopefully, he made enough from this documentary to take a break for a while. If not, someone should fix this—stat!

Share. Facebook Twitter Pinterest LinkedIn WhatsApp Reddit Email
Previous ArticleREVIEW: ‘Outside’ Explores Generational Trauma In A Zombie Apocalypse
Next Article REVIEW: ‘Shangri-La Frontier’ Season 2 Episode 2 — “The Uncompromising Gatekeeper”
Sarah Musnicky

Sarah is a writer and editor for BWT. When she's not busy writing about KDramas, she's likely talking to her cat. She's also a Rotten Tomatoes Certified critic and a published author of both fiction and non-fiction.

Related Posts

Crime 101
7.0

REVIEW: ‘Crime 101’ Is A Fun But Familiar Thriller

02/19/2026
This is Not a Test (2026)
6.0

REVIEW: Olivia Holt Is The Standout In ‘This Is Not a Test’

02/18/2026
Blades of the Guardians
7.5

REVIEW: ‘Blades of the Guardians’ Is An Epic New Wuxia Entry

02/18/2026
Ryo Yoshizawa in Kokuho
9.0

REVIEW: ‘Kokuho’ Is A Triumph Of Complicated Artistry

02/14/2026
Joe Keery and Georgina Campbell in Cold Storage
6.5

REVIEW: ‘Cold Storage’ Is Liam Neeson Just How We Like Him

02/14/2026
Diabolic (2026)
5.0

REVIEW: ‘Diabolic’ Flounders Despite an Engaging Start

02/13/2026

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here
TRENDING POSTS
Shin Hye-sun in The Art of Sarah
6.5
TV

REVIEW: ‘The Art of Sarah’ Lacks Balance In Its Mystery

By Sarah Musnicky02/13/2026

The Art of Sarah is too much of a good thing. Its mystery takes too many frustrating twists and turns. Still, the topics it explores offers much.

Love Is Blind Season 10
7.0
TV

REVIEW: ‘Love is Blind’ Season 10 Starts Slow But Gets Messy

By LaNeysha Campbell02/16/2026

‘Love Is Blind’ Season 10 is here to prove once again whether or not love is truly blind. Episodes 1-6 start slow but get messy by the end.

A Knight of the Seven Kingdoms Episode 5 still from HBO
10.0
TV

RECAP: ‘A Knight of the Seven Kingdoms’ Episode 5 — “In The Name of the Mother”

By Kate Sánchez02/17/2026Updated:02/17/2026

A Knight of the Seven Kingdoms Episode 5 is the singular episode of a Game of Thrones series, and it just may be on of the best TV episodes ever.

Blades of the Guardians
7.5
Film

REVIEW: ‘Blades of the Guardians’ Is An Epic New Wuxia Entry

By LaNeysha Campbell02/18/2026Updated:02/18/2026

Blades of the Guardians, inspired by Xianzhe Xu’s historical fantasy manhua, gets a live-action adaptation directed by the legendary Yuen Woo-ping.

But Why Tho?
Facebook X (Twitter) Instagram Pinterest RSS YouTube Twitch
  • CONTACT US
  • ABOUT US
  • PRIVACY POLICY
  • SUBSCRIBE TO OUR NEWSLETTER
  • Review Score Guide
Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small contribution.
Written Content is Copyright © 2026 But Why Tho? A Geek Community

Type above and press Enter to search. Press Esc to cancel.

But Why Tho Logo

Support Us!

We're able to keep making content thanks to readers like YOU!
Support independent media today with
Click Here