horror
Vicious (2025) is a suffocating, often cruel experience that accurately simulates depressive self-loathing while building a vague mythology.
Chris Stuckmann’s Shelby Oaks works because it feels every bit like a “by horror fans, for horror fans” experience.
Honey Bunch loses its sweet touch with time, turning its strongest plot elements into little more than a farce by film’s end.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.
The Strangers Chapter 2 continues to laugh in the face of the beloved original despite a stellar performance from its lead, Madelaine Petsch.
Scott Derrickson and C. Robert Cargill have done it again, with Black Phone 2, a fast-paced throwback supernatural horror story.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.
HIM (2025) is a movie that takes American football culture and throws the ball deep, marked by its ambition and only let down by its spectacle.
It’s safe to say that Alien Earth Episode 7, “Emergence” landed and delivered on moments that’ll make for a grand season finale.
Writer/director Curry Barker discusses how operating on a lower budget impacts his process from writing to filming on Obsession and more.
TRENDING POSTS
Gore Verbinski returns with Good Luck Have Fun Don’t Die, we talked with him about the film’s overt stance against AI, and his return.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Return to Silent Hill not only feels misguided and uninspired in form, feel, and function, but it also manifests as a new low for the video game adaptation.















