horror
Punk, cool, and genre-blending, Karan Kandhari’s Sister Midnight is a debut feature film that goes for the jugular.
Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A
Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.
Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.
Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.
SAEKO: Giantess Dating Sim puts players into a relationship with a giant woman and combines horror and romance to create a truly unique experience.
Blumhouse’s Speak No Evil severely misunderstands the appeal of the original, offering little but a pale imitation.
RetroRealms is speaking directly to players looking for a horror experience that immediately conjures up the past.
Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.
Published by Megabit, OMUT is an unrelenting action horror game that pushes the player with difficult combat in a darkly beautiful world.
TRENDING POSTS
Benedict Cumberbatch’s The Thing With Feathers is an all-ages horror story about grief that is vital for young audiences.
With a lot of romance, a little bit of horror, a heavy heaping of action, and a foot on the gas pedal The Gorge is one to watch.Â
Nosferatu (2024) shows that Robert Eggers has not finished growing as a filmmaker, as he expands a well-worn story into something unique.