horror

Scream 4 tackles the rise of social media, internet stardom, and capitalizing off of tragedy. 

With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.

It’s best to let Dead Lover’s mish mash of genres, low budget, multi-role-taking performers, and off-the-rails shenanigans wash over you.

A heavy focus on the fears of fatherhood against a severely underdeveloped alien abduction plot leaves Descendent (2025) feeling incomplete. 

Tense, unique, and unafraid to let silence dominate, We Bury The Dead is nothing you’d expect and everything that makes a zombie story compelling.

 Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.

If you’re interested in expanding your feminist horror viewing experience, dive into these horror titles that people haven’t tackled much.

Kelly Marie Tran, Miles Robbins, and Shal Ngo talk about Control Freak, which taps deep into generational trauma and the demons that arise.

The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.

Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.