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Still Wakes the Deep nailed exploring a unique setting and great story. The Chinese Room found ways to capture the beauty in horror.
For In A Violent Nature, Shannon chats with actors Ry Barrett and Andrea Pavlovic about shifting slasher expectations, their fave kills, etc
The Watchers (2024) is good folk horror and even better theater horror. Ishana Night Shamyalan’s debut film is worth the watch.
Under Paris follows Sophia as she faces a deadly shark who has been driven into the Seine due to pollution and environmental changes.
Interview With The Vampire Season 2 is an intimate and heartbreaking, capturing the beauty and cruelty that Anne Rice is known for.
With a witty script, solid scares, and creatively gory violence, Abigail is one Vampire story you won’t want to miss in theaters.
Life Eater is uncomfortable by design, but doesn’t live up to it’s full potential. There are chapters that shine, but not enough.
With its nods toward its predecessor and new additions to the lore, The First Omen gives us horror fans more to feast upon and dissect.
Jang Jae-Hyun’s Exhuma unfolds beautifully, with each new chapter adding layers of foreboding amidst the horror.
Late Night With The Devil nails comedy and horror despite drawing a quick line between the two as the film hits its halfway point.
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Gore Verbinski returns with Good Luck Have Fun Don’t Die, we talked with him about the film’s overt stance against AI, and his return.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.