Film

A Million Miles Away is standard biopic inspiration, but with a story that captures the role family and culture play in resiliency.

Taika Waititi’s specific brand of referential, prolonged comedy is laden with diminishing return in Next Goal Wins.

Freestyle is a promising Polish crime thriller that loses its way with too many twists, leaving viewers craving more depth.

The Holdovers manifests as a priceless relic of a bygone era, a lost 70s classic that doubles as a new Christmas classic.

Monster teems with humanity, using its narrative structure to uncover something prescient and devastating about modern morals.

Ernest and Celestine: A Trip to Gibberitia Follows the odd duo on a trip to Ernest’s home where they must fight for the return of music.

Jonathan Glazer’s The Zone of Interest is one of the most damning portraits of human consciousness ever committed to celluloid.

The Boy and the Heron is a mature, solemn, and jubilant meditation on loss and legacy, one that deems death to be a transitory act.

A Haunting In Venice offers up a stellar Halloween thrill, a strong mystery, and Kenneth Branagh’s best outing as Hercule Poirot.

Justine Triet’s Anatomy of a Fall, like the most resonant of art, reflects life in all its ambiguity back at us at every opportunity.