Film

Pain Hustlers not only needs a higher dosage of fresh ideas, but a new prescription altogether in this dull mockumentary.

Sofia Coppola’s Priscilla captures a love that is home to loneliness and a growing contempt but hidden by glamour.

The Devil on Trial uses dramatizations and archival resources to explore a supposed possession that led to a fatal stabbing.

It’s rare for a film to come along at this runtime and make every minute earned, but Killers of the Flower Moon does just that.

D*cks: The Musical is one of the strangest displays of creativity and spectacle committed to screen all year, and probably long before that.

The Conference sees some municipal employees’ team building retreat take a deadly turn when a determined killer crashes the party.

All the Fires is a reminder of how proximity to queerness saves lives in this Mexican coming-of-age story from first-time director Mauricio Calderón Rico

Foe is full of incredibly interesting ideas and pulls great performances out of all three of its actors, but it’s trying to be too much at once.

The Burial captures the core of Southern courtroom dramas and engages with race and class directly, making those tropes better for it.

One of the best films of the year, GKIDS Film’s Blue Giant captures the beauty, power, and emotional resonance of jazz.