Film

A trimmed-down version of NYAD that saw itself as a sports drama first instead of biopic with fewer flashbacks would have been exceptional.

Nuovo Olimpo is, unfortunately, not enough to make its delightful concept of gay lovers separated for decades, work.

Fingernails scratches at an immense philosophical itch but fails to satisfy it. Instead, it opts for surface level explorations.

The Persian Version is a great dramedy that goes beyond its title to be a universal yet specific story for immigrants everywhere.

Five Nights At Freddy’s doesn’t live up to the horror hype around the IP, its saving grace for is that it’s available on Peacock.

Beautiful and macabre, Sister Death continues the stellar track record for Spanish horror originals on Netflix.

Pain Hustlers not only needs a higher dosage of fresh ideas, but a new prescription altogether in this dull mockumentary.

Sofia Coppola’s Priscilla captures a love that is home to loneliness and a growing contempt but hidden by glamour.

The Devil on Trial uses dramatizations and archival resources to explore a supposed possession that led to a fatal stabbing.

It’s rare for a film to come along at this runtime and make every minute earned, but Killers of the Flower Moon does just that.