Film

The way Dìdi places you firmly in 2008 is uncanny, but the way it tells that history just slightly differently than how it probably was is perfect.

Powerful, somber, and with just the right amount of hope, Black Box Diaries is one of the most stunning uses of documentary filmmaking.

Kneecap is a chronicle of a particular group and a rallying cry all in one bringing Ireland and its language to the front of film.

Kidnapping Inc. is the type of off-color humor, action movie that works perfectly for a Midnight film at a festival.

In The Summers is a painfully perfect film about the anguish loving your family can cause and the way our memories change as we age.

Love Me (2024) is interesting, to say the least. A buoy and a satellite fall in love and find sentience and belonging along the way.

Miller’s Girl is aimed at pushing buttons, but it isn’t tantalizing or intriguing; it’s just absolutely boring. 

Filled with humor—and ultra-violent fight scenes—Badland Hunters is a top-tier popcorn flick for anyone in love with the action genre.

Inside the Yellow Cocoon Shell, the feature film debut from Phạm Thiên An, follows a young man who must deliver his sister-in-laws body to her hometown.

The Kitchen is a slightly sci-fi movie that feels extremely present despite being set in the future, in Daniel Kaluuya’s directorial debut.