Film

Argylle is the latest Matthew Vaughn farce, and it is a fun time, especially with a group of friends who don’t take things seriously.

In her new documentary ‘Bye Bye Tiberias,” director Lina Soualem luminously tells the story of her mother, Hiam Abbass, and their family.

The Heartbreak Agency doesn’t completely lack charm, but it does lack thoughtfulness as a disgraced journalist seeks heartbreak therapy.

Will (2024) is just another WWII movie doing little to push the medium—the areas where it attempts to are more exhausting than impactful.

While intended for kids, Orion and the Dark sits firmly with the rest of Kaufman’s oeuvre, packing an existential punch that resonates.

Jason Schwarzman plays a cantor who’s lost his voice and has to learn to love himself again in Between the Temples

The way Dìdi places you firmly in 2008 is uncanny, but the way it tells that history just slightly differently than how it probably was is perfect.

Powerful, somber, and with just the right amount of hope, Black Box Diaries is one of the most stunning uses of documentary filmmaking.

Kneecap is a chronicle of a particular group and a rallying cry all in one bringing Ireland and its language to the front of film.

Kidnapping Inc. is the type of off-color humor, action movie that works perfectly for a Midnight film at a festival.