Film

Imaginary (2024) presents a fun concept with a unique twist but ultimately falls short due to an overcrowded narrative.

Damsel is a thrilling dark fantasy that far exceeds expectations, twisting and subverting the damsel-in-distress trope along the way.

Kung Fu Panda 4 continues the franchise’s high-kick laughs and visually interesting fight scenes even when it stumbles.

Ricky Stanicky sees John Cena at his best despite a script muddled with clunky subplots and its attempts to pack in as many jokes as possible.

Megamind vs. the Doom Syndicate plays like an hour and half long trailer to get viewers into the franchises new series but ultimately falls flat.

Code 8: Part II is a continuation from the crowdfunded first movie. But the superhero sequel never does takes the franchise to another level.

Spaceman often skims the surface of its sci-fi premise—labouring to evolve past an overliteral assessment of the human condition.

My Name is Loh Kiwan sees a North Korean defector and a former drug addict fighting for their lot in life while falling in love.

Drive-Away Dolls survives as a perfect distillation of the humour and heart Coen brought to his now-legendary partnership.

By refusing to shy away from the novel’s prescient themes, Dune Part Two redefines what stories blockbusters can tell.