Film

Megamind vs. the Doom Syndicate plays like an hour and half long trailer to get viewers into the franchises new series but ultimately falls flat.

Code 8: Part II is a continuation from the crowdfunded first movie. But the superhero sequel never does takes the franchise to another level.

Spaceman often skims the surface of its sci-fi premise—labouring to evolve past an overliteral assessment of the human condition.

My Name is Loh Kiwan sees a North Korean defector and a former drug addict fighting for their lot in life while falling in love.

Drive-Away Dolls survives as a perfect distillation of the humour and heart Coen brought to his now-legendary partnership.

By refusing to shy away from the novel’s prescient themes, Dune Part Two redefines what stories blockbusters can tell.

Players doesn’t know what kind of character it’s about, as Mack uses her friends to help pick up the first guy she really likes.

When a couple wins the lottery, their best friends try to convince them to kill each other and take the money in Kill Me If You Dare (2024).

Five Blind Dates is an Australian romcom from Amazon Studios, directed by Shawn Seet and co-written by Shuang Hu and Nathan Ramos-Park.

Madame Web survives as the cinematic embodiment of the term “Superhero Fatigue,” lacking in originality and soul in a corporate hellscape