Film
Daisy Ridley stars in the action film Cleaner (2025), which is trapped by its desire to say something important despite its silliness.
With a lot of romance, a little bit of horror, a heavy heaping of action, and a foot on the gas pedal The Gorge is one to watch.
Love Forever is a new low for Netflix Originals—a completely bland and boring romance about two people who shouldn’t be getting married.
Captain America Brave New World is less interested in reinvigorating the landscape of the comic book film than pulling off the original Marvel formula.
With deep influences from the French and Iranian New Waves, Universal Language is equal parts a moving experience and a profound piece of art.
Paddington in Peru has much of the charm of the previous movies, but a lot is lost in the transition to an Indiana Jones-like adventure format.
No Other Land is a vital documentary about the destruction of West Bank’s Masafer Yatta that understands the power of resistance through filmmaking.
Heart Eyes (2025) knows how to keep love in the air while splattering heaps of blood on the ground.
Love Hurts (2025) is a fun movie, but it has a big Rose-sized pain point as the character doesn’t match the tone of the rest of the action-comedy antics.
Predators lacks the structure or commitment to completely confront its subject in a satisfying manner, but gets close in some key areas.
TRENDING POSTS
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.