Film

Survive (2025) isn’t a terrible film. It has an interesting premise and solid acting, yet, it can’t capitalize on the unique parts of the plot.

Night Call is a solid film, a great chase, and an action wonder. But narratively, it just can’t carry its own theme’s weight.

The Six Triple Eight tells a realistic story based on facts and first-person accounts from the 6888th Battalion, delivering an emotional tale of forgotten women of color.

A Complete Unknown makes all the modern movie mistakes while never really getting to the heart of what makes Bob Dylan interesting.

Eschewing aesthetic flash, Juror #2 is a classically effective drama that thrives off of impeccable staging and layered performances.

Netflix’s Carry-On is an action thriller that absolutely understands where it belongs in its genre and in the Christmas season.

The War of the Rohirrim may not reach the heights of Peter Jackson’s trilogy, but it stands as a worthy addition to the universe.

Thordur Palsson’s The Damned (2024) is an intriguing horror film that creatively showcases the damaging effects of guilt.

Sonic 3 offers infectious joy with Team Sonic at the core, even if we just needed a bit more of Shadow on the screen.

Mufasa: The Lion King is part of a long chain of movies ruined by the errant belief that IP is king, betraying its own morals along the way