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Less comfort viewing and more background noise, Joy To The World (2025) starts the 2025 holiday movie season on a forgettable note.
Nouvelle Vague is in an exciting and satisfying experience that honors Jean-Luc Godard and the French New Wave without trying to imitate it.
Netflix’s Ballad of a Small Player is Colin Farrell at his finest, starting from utter rock bottom and hoping to reach redemption.
Blood fueled action balanced by romance captures the best parts of Fujimoto’s story Chainsaw Man – The Movie: Reze Arc is just good.
The Elixir is an ambitious, visually outstanding zombie film that proves filmmaker Kimo Stamboel can deliver in the genre.
Springsteen: Deliver Me From Nowhere portrays Bruce Springsteen’s personal and professional journey to making his controversial album, Nebraska.
Despite the dark moments that occur prior to the film’s ending, The Serpent’s Skin allows for tenderness for both Gen and Anna.
Incomplete Chairs fits the bill in terms of being a daring splatter horror film, that also happens to dig into consumerism.
Guillermo del Toro has taken Victor Frankenstein from mad scientist back to the tortured soul, and we are better for it.
The Hand That Rocks The Cradle (2025) is split between being a thrilling remake and a story restrained by its source material.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.