Film

Haunted Mountains: The Yellow Taboo has an incredibly strong first half, but gets lost in the weeds as it navigates its way to its ending.

The constant state of ambiguity and stress-inducing secrecy that permeates HELLCAT makes for an intense viewing experience.

The unrelenting honesty of Kim Sung-yoon’s approach to the subject matter featured in Fragment make it a captivating watch.

Oh Hi! goes away for the weekend, but when Isaac tells Iris he’s not looking for a relationship, Iris makes a few mistakes in how she reacts.

The Last Woman On Earth is an ambitious feature film debut from filmmakers Yeum Moon-kyoung and Lee Jong-min about the creative process.

Disney and Marvel’s Fantastic Four: First Steps is fine. It’s not revolutionary but it’s at least an attempt to build a different world.

Comedy is a familiar place for multi-hyphenate Steve Pink, but the arrival of Terrestrial (2025) takes this director into unfamiliar territory.

The Girl Who Stole Time absolutely astounds with its animation, crafting a visually satisfying venture while never forgetting its message.

Death Does Not Exist operates in the realm of the existential, where an internal debate as old as time is given new life.

A24’s Eddington is Ari Aster’s worst film. It grips tightly onto social media speak and doesn’t let go, to its detriment.