Film

Tuner (2025) navigates multiple genres in perfect harmony, introducing chaos at the crescendo and laying its audience down into an emotional pool.

The Strangers Chapter 3 goes beyond being a serviceable slasher to a genuinely quite good one by having a fresh take on its titular villains.

Saccharine (2026) won’t find an audience with everyone, but for those who see themselves, they’ll feel anger, shame, and hopefully, catharsis.

Jimpa from director Sophie Hyde asks its audience to remain present with disappointment, affection, anger, and gratitude all at once.

Despite its many faults, In the Blink of an Eye leads with such a pure heart that at the very least it makes for an engaging, earnest watch.

The mere existence of The Friend’s House is Here stands as a reminder that there will always be a future worth fighting for.

Dracula (2025) is a lesser entry in the long, and especially recent, canon of Dracula adaptations, this time, with a romantic twist.

Whistle (2026) fails to shatter expectations or bring anything super fresh to the horror table despite some strong central performances.

Even If This Love Disappears Tonight is the kind of film that pleasantly surprises upon completion, with its romance carrying things to the end.

A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.