Film
Neil Marshall’s latest film, Duchess, is an inert hodgepodge of tropes from much better films thrown to screen without care.
Borderlands feels like glorified cosplay, where capable performers merely take position and feign emotion to get a nice group picture.
Lily and Ryle fall in love in It Ends With Us, but as Ryle’s true nature slowly reveals itself, Lily’s past starts to repeat itself.
With a short runtime of just over an hour, Family Portrait is about what it makes you feel, not what it’s telling you.
Netflix produces a fair number of excellent original animated projects. Saving Bikini Bottom: The Sandy Cheeks…
House of Sayuri is interesting, scary, and funny, but its real flaw is the lack of balance in how it transitions through its emotions.
Rebel Moon – Chapter Two: Director’s Cut pulls out all the stops in a fully realized epic that plays to Zack Snyder’s strengths.
AppleTV+’s The Instigators is a messy attempt at a comedy of errors let down by its lack of chemistry.
Cuckoo is a testament to doing a lot with a little and the enduring power of the uncanny valley.
Rebel Moon – Chapter One: Chalice of Blood makes good on its promise to provide a more coherent version of the duology’s opener.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














