Film
Leave The World Behind not only a cut above its streaming contemporaries, but sharper than anything one could’ve expected on the platform.
Even with gripes, Netflix’s Leo is still filled with enough emotion to warrant a watch by yourself or with your kids.
Genie may boast unlimited wishes, but the reality is that it underserves itself by failing to find balance in this holiday adventure.
Come to Maestro for the indelible performances and use of music, stay for the masterclass in editing and the power of love and attraction.
Believer 2 functions better when viewed through the lens of a duology, completing a story in ways viewers will not expect.
Napoleon is trapped in an identity crisis, utterly grand and immaculate in one breath, and incredibly zany and confusing the next.
Wish is ultimately not only far too cookie-cutter but disappointingly bad in some of its most important elements: visuals, music, and characters.
Rustin isn’t necessarily revolutionary, but the man it centers on was and Coleman Domingo remains one of the best actors working now.
In Love and Deep Water has a lot of promise but gets lost at sea in trying to figure out what kind of direction it wants to go.
While it’s not the best Christmas movie ever, Best. Christmas. Ever! reminds us it’s okay to be hopeful even when things don’t go our way.
TRENDING POSTS
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.