Film

Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.

Blumhouse’s Speak No Evil severely misunderstands the appeal of the original, offering little but a pale imitation.

Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.

With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.

Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.

All of You (2024) finds a stronger foundation when dissecting the tragedy of its romance, even if relationship itself proves frustrating.

The worlds of faith and politics don’t collide in Conclave but reveal themselves to be intrinsically intertwined with great wit and poignancy.

A would-be feel good holiday film is held back by frustrating characters and a dull storyline in Nutcrackers starring Ben Stiller.

Mike Flanagan’s latest Stephen King adaptation, The Life of Chuck, marks both a continuation and departure for the horror director.