Film
Remaking a classic is hard, and Black Christmas (2019) tries to be more than the 1972 version while missing what made that one special.
With Roma and The Irishman under their belt, Marriage Story continues to showcase the ability of Netflix to produce films deserve award contention.
Directed by Jake Kasdan, ‘Jumanji: The Next Level’ is more than a simple sequel, it has the humor and heart of the first and one-ups it.
I Lost My Body continues to showcase the power of animation by weaving a disturbing, beautiful, and romantic tale in an hour and 20-minutes.
Medieval-horror was not something that I thought I needed in my life. Then, I checked out the Shudder Exclusive The Head Hunter.
Into the Dark, Hulu’s year-round event series with Blumhouse Television is closing out the year with its Christmas Episode: A Nasty Piece of Work.
‘Queen & Slim’ is a road film that is a form of protest-art that represents the current Black experience and allows Black audiences to be and feel seen.
In Martin Scorsese’s newest film, The Irishman, a mob hitman recalls his involvement with the murder of Jimmy Hoffa, a famous political figure.
Despite its boilerplate script, 21 Bridges is a solid B-thriller that makes strong use of its leading man and gritty action sequences.
Little Women has been remade, revamped, and revitalized in so many forms of media, but Greta Gerwig revitalizes a classic.
TRENDING POSTS
The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.












