Film
After Midnight is a hybrid genre film with aspects of horror and romantic drama, but leans more into its breakup story than its horror story.
The Yin-Yang Master: Dream of Eternity sees the world threatened by the return of a legendary demonic serpent. But the serpent may not be the only enemy
Space Sweepers is directed by Jo Sung-hee and is a pure science fiction film that showcases class commentary, space battles, and more.
The stories of the women that were murdered in the witch trials are historic tragedies, that’s why The Reckoning is unforgivable.
If the goal of Sundance’s NEXT program is to highlight filmmakers with an ear to the pulse of culture, then Carey Williams earns his place with R#J
Sator (stylized SATOR) is an existential, slow-burn horror film that blends fiction and truth, written and directed by Jordan Graham.
Written and directed by Mike Cahill Bliss tells a story about mental health and healing through the veil of science fiction.
From A24, Lee Issac Chung’s Minari paints an illustrious picture of a Korean family just trying to make it in 1980s Arkansas.
In Land, Edee, a lawyer that has just suffered a tragedy loses the ability to connect with people and retreats to a remote mountain cabin to disappear.
Set in a small town in the Texas Hill Country, Cusp follows the lives of three teenage girls as they navigate heartbreaks, formative moments, and loss.
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Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
Exterritorial scratches that mid-budget action itch that is finally starting to come into focus in the action landscape again.