Film

Bob Odenkirk makes a brilliant return to action with Timo Tjahjanto and Derek Kolstad’s Nobody 2, only this time he wants to go on vacation.

Witchboard (2025) lacks an identity that its cult film predecessor nailed, proving that it won’t reach cult status anytime soon.

Mononoke The Movie: Chapter II – The Ashes of Rage delivers a return visit to the Ōoku where a new supernatural threat could consume them all

Stop-motion animation is an art form that I hope never dies out, and I Am Frankelda proves why with its passion and creativity.

Lured in with the prospect of tentacles, Addison Heinmann’s Touch Me is much more than its tantalizing tidbits, offering equal humor and gore

Strange Harvest is a frequently engaging experiment that doesn’t get the desired result due to the undercooked nature of its storytelling.

Solidly entertaining and occasionally sharper than expected, The Pickup works best when it’s letting its cast do what they do best

Violent, bloody, dark, and yet deeply funny, Zach Cregger’s Weapons (2025) is the best horror film of the year so far.

Like the one before it, Lindsay Lohan and Jamie Lee Curtis’s Freakier Friday wants you to accept where you are and understand others too.

Any cringe Boys Go to Jupiter engenders is because teenagers are cringe; their shenanigans are a joy to watch.