Film

Any cringe Boys Go to Jupiter engenders is because teenagers are cringe; their shenanigans are a joy to watch.

An Honest Life is an overly severe misfire about a law student who falls in with anarchist burglars that can’t decide who it resents more.

Ick blends creature feature, goofy farce, and genuine message about being authentically yourself in an irresistibly anarchic blast.

 A lack of original jokes makes Happy Gilmore 2 a belated sequel that is passable, but highly unmemorable in Adam Sandler’s output.

Hi-Five delivers a fresh take on the superhero genre but struggles with the execution due to poor pacing and bland direction.

Haunted Mountains: The Yellow Taboo has an incredibly strong first half, but gets lost in the weeds as it navigates its way to its ending.

The constant state of ambiguity and stress-inducing secrecy that permeates HELLCAT makes for an intense viewing experience.

The unrelenting honesty of Kim Sung-yoon’s approach to the subject matter featured in Fragment make it a captivating watch.

Oh Hi! goes away for the weekend, but when Isaac tells Iris he’s not looking for a relationship, Iris makes a few mistakes in how she reacts.

The Last Woman On Earth is an ambitious feature film debut from filmmakers Yeum Moon-kyoung and Lee Jong-min about the creative process.