Film
Spin Me Round serves as a perplexing, yet entertaining fusion between Eat, Pray, Love and Eyes Wide Shut, thanks to its cast and crew.
Emergency is a film that’s equal parts hilarious and horrifying, weaving clever social commentary into the college party subgenre.
A24 and Halina Reijn Bodies Bodies Bodies offers up a chaotic whodunnit that becomes increasingly unhinged over a night of drugs and secrets.
At SXSW Mariama Diallo’s Master is a stark look at the racism and horror in academia with an otherworldly twist.
‘The Pez Outlaw’ is a charming and lighthearted documentary about a collector turned smuggler via the sweet potential of Pez dispensers.
Scream Gems’ Horror Lab, BLINK is a horror short-film that takes sleep paralysis as a concept and makes it more terrifying.
I Love My Dad is willing to embrace its insane premise to a certain point, but it’s torn between being a black comedy and a drama.
Having premiered at SXSW 2022, The Unknown Country explores of identity and connection through grief in a heavy way.
SXSW 2022’s horror-comedy Slash/Back is about Indigenous identity as much as it’s about the creatures the leads are fighting.
Once something is on social media, it takes on a life of its own. That’s what happens in horror-comedy, The Prank.
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The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.












