Director Steve Pink discusses tackling an unfamiliar genre in Terrestrial, how Jermaine Fowler gave more dimension to Allen, and more
Author: Sarah Musnicky
Sarah Musnicky
Sarah is a writer and editor for BWT. When she's not busy writing about KDramas, she's likely talking to her cat. She's also a Rotten Tomatoes Certified critic and a published author of both fiction and non-fiction.
Comedy is a familiar place for multi-hyphenate Steve Pink, but the arrival of Terrestrial (2025) takes this director into unfamiliar territory.
The Girl Who Stole Time absolutely astounds with its animation, crafting a visually satisfying venture while never forgetting its message.
As finales go, The First Night With The Duke Episodes 11-12 struggled with consistency and, after such a strong start, was a letdown.
Death Does Not Exist operates in the realm of the existential, where an internal debate as old as time is given new life.
For National Geographic’s SHARKFEST, But Why Tho chatted with Dr. Megan Winton about how data plays a huge role in Investigation Shark Attack
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Wall to Wall (2025) seems like it would be built on a solid foundation. Unfortunately, once it reaches the halfway mark, it starts to crumble.