‘Hit Man’ starring Glen Powell is the type of elevated studio comedy sorely lacking in today’s Hollywood.
Author: Prabhjot Bains
Prabhjot Bains
Prabhjot Bains is a Toronto-based film writer and critic who has structured his love of the medium around three indisputable truths- the 1970s were the best decade for American cinema, Tom Cruise is the greatest sprinter of all time, and you better not talk about fight club. His first and only love is cinema and he will jump at the chance to argue why his movie opinion is much better than yours. His film interests are diverse, as his love of Hollywood is only matched by his affinity for international cinema. You can reach Prabhjot on Instagram and Twitter @prabhjotbains96. Prabhjot's work can also be found at Exclaim! Tilt Magazine and The Hollywood Handle.
KILL (2023 )is a rare move that mercilessly and gloriously lives up to its title, a shot of adrenaline straight to the heart.
Reptile is a maximalist exercise in pastiche that is stupidly easy to decipher and at its heart lies Del Toro’s captivating performance,
Dumb Money is a fun time at the theatre that contains some great performances but doesn’t provide audiences enough to chew on.
Dream Scenario is an indelibly creative venture that will only get better with time, primed to be a cult classic.
Taika Waititi’s specific brand of referential, prolonged comedy is laden with diminishing return in Next Goal Wins.
The Holdovers manifests as a priceless relic of a bygone era, a lost 70s classic that doubles as a new Christmas classic.
Monster teems with humanity, using its narrative structure to uncover something prescient and devastating about modern morals.