Napoleon is trapped in an identity crisis, utterly grand and immaculate in one breath, and incredibly zany and confusing the next.
Author: Prabhjot Bains
Prabhjot Bains
Prabhjot Bains is a Toronto-based film writer and critic who has structured his love of the medium around three indisputable truths- the 1970s were the best decade for American cinema, Tom Cruise is the greatest sprinter of all time, and you better not talk about fight club. His first and only love is cinema and he will jump at the chance to argue why his movie opinion is much better than yours. His film interests are diverse, as his love of Hollywood is only matched by his affinity for international cinema. You can reach Prabhjot on Instagram and Twitter @prabhjotbains96. Prabhjot's work can also be found at Exclaim! Tilt Magazine and The Hollywood Handle.
David Fincher’s The Killer unfolds as an absorbing, slice-of-life that doubles as a biting satire of the corporate world.
Fingernails scratches at an immense philosophical itch but fails to satisfy it. Instead, it opts for surface level explorations.
Pain Hustlers not only needs a higher dosage of fresh ideas, but a new prescription altogether in this dull mockumentary.
It’s time to take stock of its best offerings of TIFF 2023, featuring hits from Alexander Payne, Cord Jefferson, and Jonathan Glazer.
‘Poolman’, directed by Chris Pine, feels like a sketch comedy skit gone awry, left to haphazardly unfold way past its punchline.
A Normal Family from director Hur Jin-ho is a strong think piece, one that provokes a deep look inward to expose our true selves.
With Dear Jassi, director Tarsem Singh Dhandwar returns to the country of his birth with his most unadorned and powerful film to date.