Bad Boys: Ride or Die is micro-content that’s ballooned way past its terminal point, subsisting off influencer cameos, feigned comedy, and gimmicky action.
Author: Prabhjot Bains
Prabhjot Bains
Prabhjot Bains is a Toronto-based film writer and critic who has structured his love of the medium around three indisputable truths- the 1970s were the best decade for American cinema, Tom Cruise is the greatest sprinter of all time, and you better not talk about fight club. His first and only love is cinema and he will jump at the chance to argue why his movie opinion is much better than yours. His film interests are diverse, as his love of Hollywood is only matched by his affinity for international cinema. You can reach Prabhjot on Instagram and Twitter @prabhjotbains96. Prabhjot's work can also be found at Exclaim! Tilt Magazine and The Hollywood Handle.
In a political climate of increased censorship, the Monkey Man politics offer a critique of Indian sectarianism and it is a breath of fresh air.
Sugar is exactly what a noir thrust into the 21st century should be: thought-provoking, stylish, and utterly confounding.
Though set in a bleak period of history, A Gentleman in Moscow never fails to lend its tale with a distinct brand of heart and humour.
Anthony Hopkins downplayed performance in One Life personifies the film’s central values, reminding us of our capacity to make a difference.
Manhunt (2024) is as much about the heated pursuit of John Wilkes Booth as it is about the pitfalls of the American experiment.
Spaceman often skims the surface of its sci-fi premise—labouring to evolve past an overliteral assessment of the human condition.
Drive-Away Dolls survives as a perfect distillation of the humour and heart Coen brought to his now-legendary partnership.