Justin Lin’s Last Days (2025) will undoubtedly find its audience, but it relies on how you view missionary work.
Author: Kate Sánchez
Kate Sánchez
Kate Sánchez is the Founder and Editor-in-Chief of But Why Tho? A Geek Community. There, she coordinates film, television, anime, and manga coverage. Kate is also a freelance journalist writing features on video games, anime, and film. Her focus as a critic is championing animation and international films and television series for inclusion in awards cycles. Find her on Bluesky @ohmymithrandir.bsky.social
The Wedding Banquet (2025) enters the Asian American and queer cinema canon with pride, heart, and a message that we desperately need.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Train Dreams (2025) is a gorgeous story of love and loss and, ultimately, just about life with Joel Edgerton as it’s intimate center.
Rabbit Trap (2025) is a folk horror story that deals more with discomfort than with scares and loses itself in style over substance.
Beauty is brutal in Shudder’s The Ugly Stepsister, and Emilie Blichfeldt understands exactly how to capture that viscerally.
Twinless (2025) is a tender film, a comedy, a love story, a friendship story, and it’s one you won’t stop thinking about.
At our hands-on preview with id Software, DOOM The Dark Ages looks to have everything it takes to make 2025 another year of Doom.