It’s tough existing in a genre where you’ll always be compared to the standard-bearer, but DreamWorks All-Star Kart Racing is perfectly serviceable.
Author: Jason Flatt
Jason Flatt
Jason is the Sr. Editor at But Why Tho? and producer of the But Why Tho? Podcast. He's usually writing about foreign films, Jewish media, and summer camp.
A trimmed-down version of NYAD that saw itself as a sports drama first instead of biopic with fewer flashbacks would have been exceptional.
Nuovo Olimpo is, unfortunately, not enough to make its delightful concept of gay lovers separated for decades, work.
RoboCop: Rogue City has an impressive level of emersion, and its mechanics ring true of the 80s era of its progenitor, even while feeling new and modern.
Gargoyles Remastered is maybe fine for hardcore platforming fans and veterans a of the original, but it’s though to stomach the janky controls.
D*cks: The Musical is one of the strangest displays of creativity and spectacle committed to screen all year, and probably long before that.
Hot Wheels Unleashed 2 doesn’t do much different than its predecessor with it’s tight, simple mechanics and arcade racing action.
All the Fires is a reminder of how proximity to queerness saves lives in this Mexican coming-of-age story from first-time director Mauricio Calderón Rico