A heavy focus on the fears of fatherhood against a severely underdeveloped alien abduction plot leaves Descendent (2025) feeling incomplete.
Author: James Preston Poole
Redux Redux is a wonderfully understated take on the multiverse that doubles as a poignant story of the messiness of letting go of past wounds.
A movie called The Threesome could be just about anything, with most of those things putting titillation first. Chad Hartigan swerves the opposite way.
On Swift Horses is anything but swift, a banal slog that only intermittently comes to life when it’s not trodding over a well-beaten path.
The Surfer (2025) is a hell of a ride, taking audiences through a ridiculous rivalry between a man who just wants to surf and the men who refuse to let him do so.
Nirvanna the Band the Show the Movie is a laugh riot that takes Matt Johnson and Jay McCarrol’s brainchild to new, legally dodgy heights.
Night Fight is admirable in its ambition and scope but far too scattered in its execution to come together as a cohesive work.
Friendship is bizarre, unsettling, and, for the right audience, one of the funniest movies to come out in quite some time.