Close Menu
  • Support Us
  • Login
  • Newsletter
  • News
  • Features
  • Interviews
  • Reviews
    • Video Games
      • Previews
      • PC
      • PS5
      • Xbox Series X/S
      • Nintendo Switch
      • Xbox One
      • PS4
      • Tabletop
    • Film
    • TV
    • Anime
    • Comics
      • BOOM! Studios
      • Dark Horse Comics
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Indie Comics
      • Marvel Comics
      • Oni-Lion Forge
      • Valiant Comics
      • Vault Comics
  • Podcast
  • More
    • Event Coverage
    • BWT Recommends
    • RSS Feeds
Facebook X (Twitter) Instagram
Support Us
But Why Tho?
RSS Facebook X (Twitter) YouTube
Trending:
  • Features
    Wuthering Waves 3.0 Moryne Key Art

    The ‘Wuthering Waves’ 3.0 Gameplay Showcase Promises Anything Could Happen In Lahai-Roi

    12/05/2025
    Wicked For Good Changes From The Book - Glinda and Elphaba

    ‘Wicked: For Good’ Softens Every Character’s Fate – Here’s What They Really Are

    11/28/2025
    Arknights But Why Tho 1

    ‘Dispatch’ Didn’t Bring Back Episodic Gaming, You Just Ignored It

    11/27/2025
    Kyoko Tsumugi in The Fragrant Flower Blooms with Dignity

    ‘The Fragrant Flower Blooms With Dignity’ Shows Why Anime Stories Are Better With Parents In The Picture

    11/21/2025
    Gambit in Marvel Rivals

    Gambit Spices Up The Marvel Rivals Support Class In Season 5

    11/15/2025
  • Holiday
  • K-Dramas
  • Netflix
  • Game Previews
  • Sports
But Why Tho?
Home » Film » OUTFEST LA 2022: ‘Girl Picture’ Brings Good, Small Twists On Familiarity

OUTFEST LA 2022: ‘Girl Picture’ Brings Good, Small Twists On Familiarity

Jason FlattBy Jason Flatt07/28/20224 Mins ReadUpdated:02/13/2025
Girl Picture - But Why Tho
Share
Facebook Twitter Pinterest Reddit WhatsApp Email
W3Schools.com

Girl Picture (Tytöt Tytöt Tytöt), directed by Alli Haapasalo, is a Finnish coming-of-age romance that undisputedly sits at the top of my list of favorite films to screen at Outfest LA Film Festival 2022. Mimmi (Aamu Milonoff) and Rönkkö (Eleonoora Kauhanen) are best friends approaching the end of high school with a lot of uncertainty. Mimmi is desperately trying to find pleasure in sex and relationships while Rönkkö is just as badly trying to avoid intimacy. Until Emma (Linnea Leino) comes along and changes everything for her.

Off the bat, Girl Picture surprised me because I completely assumed that Mimmi, the shy pretty girl was the one who was going on a relationship-based journey and that Rönkkö, the rebellious one would be on a self-discovery yarn. I was entirely wrong and I think that was step one in activating my affinity for this movie. Reversing these expectations led to what otherwise is a pretty standard coming-of-age/romance formula to feel fresh.

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

I became quickly invested in both of their struggles and enjoyed watching their character archetypes go through the kind of journey you typically would have expected from the other. Emma too is a character I quickly enjoyed just as much. My only disappointment with her is that I don’t feel like she had as much growth as a character as the other two did, despite being just as important of a perspective throughout.

Mimmi is struggling with something that not only do you not ever see on-screen, but rarely really talk about in real life either. She’s unsure whether she can ever find pleasure in sex or romance. Her journey throughout Girl Picture takes her in a lot of directions trying to figure this out. Is it a problem of just not having enough experience or the right partner? Does she just need to be more direct with her partners about what she wants?

Girl Picture is a fantastic role reversal.

Girl Picture Characters Laughing Together

I’m not in love with how every one of these trials plays out, some leave me feeling like they give off the wrong message or that she’s at fault when obviously she isn’t. But as a whole, she’s always fun to watch as she babbles on awkwardly and continues to try her hand at sex. It’s a really important and moving journey to watch and I was certainly satisfied by how it concluded.

Rönkkö feels like she’s really the star of the show though. She struggles with commitment and affection, is laden with mother issues, and is the total opposite of Mimmi where she absolutely does not talk enough. Girl Picture is pretty standard as far as its plot goes, its drama, especially as far as Rönkkö is concerned, is predicated almost entirely on poor communication with Emma. But Kauhanen’s acting and a tight script make it all into a great rendition on the classic formula.

She’s intense, has great bursts of emotion, and her chemistry with Leino (and MIlonoff for that matter) does quite well. She’s self-destructive and sometimes rather hurtful, but Rönkkö and Emma are just such a good enemies-to-lovers/opposites-attract pair that you can’t help but root for them anyway.

As for Emma, she’s a competitive figure skater and is working towards the European Championship but cannot land her signature move. For all the ways I enjoyed her relationship with Rönkkö and the way she grows into it, I don’t feel like she ever really had the kind of breakthrough growth moment I was expecting out of the skating side of her life.

I do admire that it’s depicted in a pretty healthy way with a coach that treats her like a human and implores that she’s allowed to have other things in her life, too. But none of the moments I anticipated satisfaction from in that realm ever came to be and I don’t think they were really replaced by anything unexpected either. It just felt like a plot device with little payout.

Girl Picture is a familiar affair with a role reversal executed excellently. I was deeply invested in the two leads’ struggles from the start and was totally enthralled by the emotional highs and lows of both their plots equitably. While Emma left a bit to be desired character-wise, she still had me just as emotionally invested as everyone else from beginning to end. This was an excellent end to my 159 film journey at Outfest LA 2022 and I can’t’ wait for it to hit U.S. theaters later this summer.

Girl Picture screed as part of Outfest LA Film Festival 2022 and will be playing in select theaters beginning August 12th.

Girl Picture
  • 8/10
    Rating - 8/10
8/10

TL;DR

Girl Picture is a familiar affair with a role reversal executed excellently. I was deeply invested in the two leads’ struggles from the start and was totally enthralled by the emotional highs and lows of both their plots equitably.

Share. Facebook Twitter Pinterest LinkedIn WhatsApp Reddit Email
Previous ArticleOUTFEST LA 2022: End of Show Highlights
Next Article ADVANCED REVIEW: ‘Cover the Dead With Lime,’ Issue #1
Jason Flatt
  • X (Twitter)

Jason is the Sr. Editor at But Why Tho? and producer of the But Why Tho? Podcast. He's usually writing about foreign films, Jewish media, and summer camp.

Related Posts

Yuta in Jujutsu Kaisen: Execution
6.0

REVIEW: ‘Jujutsu Kaisen: Execution’ Is Best When It Gets to The New Stuff

12/05/2025
Key art from the film Man Finds Tape out now in select theaters and on VOD
8.0

REVIEW: ‘Man Finds Tape’ Goes Further Than Most Found-Footage Horrors

12/04/2025
Alexandra Breckenridge in My Secret Santa
8.0

REVIEW: ‘My Secret Santa’ May Be A Sleeper Comfort Hit

12/03/2025
Michelle Pfeiffer in Oh What Fun
6.0

REVIEW: ‘Oh. What. Fun’ Rightfully Puts The Spotlight On Moms

12/02/2025
Timothée Chalamet in Marty Supreme
9.0

REVIEW: ‘Marty Supreme’ Is The Sports Story You Didn’t Know You Needed

12/01/2025
Kiefer Sutherland and Rebel Wilson in Tinsel Town
8.0

REVIEW: ‘Tinsel Town’ Has Fun While Throwing Everything At The Board

11/28/2025

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here
TRENDING POSTS
Jeon Do-yeon in The Price of Confession
9.5
TV

REVIEW: ‘The Price of Confession’ Gets Under The Skin

By Sarah Musnicky12/05/2025

From absolute chills to agonizing tension, The Price of Confession absolutely succeeds at getting under the skin.

Tim Robinson in The Chair Company Episode 1
10.0
TV

REVIEW: ‘The Chair Company’ Is A Miracle

By James Preston Poole12/03/2025

The Chair Company is a perfect storm of comedy, pulse-pounding thriller, and commentary on the lives of sad-sack men who feel stuck in their lives

The Rats: A Witcher's Tale promotional image from Netflix
7.0
TV

REVIEW: ‘The Rats: A Witcher’s Tale’ Is A Much-Needed Addition To The Witcherverse

By Kate Sánchez11/01/2025Updated:11/08/2025

The Rats: A Witcher’s Tale takes time to gain steam, but its importance can’t be understated for those who have stuck with the Witcherverse.

Alexandra Breckenridge in My Secret Santa
8.0
Film

REVIEW: ‘My Secret Santa’ May Be A Sleeper Comfort Hit

By Sarah Musnicky12/03/2025Updated:12/03/2025

My Secret Santa is everything you’d expect from its premise, yet it is still surprisingly delightful, paving the way for comfort viewing.

But Why Tho?
Facebook X (Twitter) Instagram Pinterest RSS YouTube Twitch
  • CONTACT US
  • ABOUT US
  • PRIVACY POLICY
  • SUBSCRIBE TO OUR NEWSLETTER
  • Review Score Guide
Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small contribution.
Written Content is Copyright © 2025 But Why Tho? A Geek Community

Type above and press Enter to search. Press Esc to cancel.

But Why Tho Logo

Support Us!

We're able to keep making content thanks to readers like YOU!
Support independent media today with
Click Here