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Home » Film » REVIEW: ‘Songbird’ Misses All the Shots it Takes

REVIEW: ‘Songbird’ Misses All the Shots it Takes

Kate SánchezBy Kate Sánchez12/12/20204 Mins ReadUpdated:12/24/2023
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The COVID-19 pandemic isn’t over and I’m not sure it ever will be. And from that fear, it was only natural that a film would be made that looks at what happens when the virus doesn’t end but mutates into even more deadly strains. That’s Songbird (2020). Or, at the very least, that’s what the film directed by Adam Mason and co-written by Mason and Simon Boyes aims to be.

In Songbird, the not so subtle nod to our own pandemic COVID-23 virus has mutated and the world is in its fourth year of perpetual lockdown. Set in Los Angeles, the infected and those they live with are taken from their homes and forced into quarantine camps known as Q-Zones, from which there is no escape. But where there is a dystopian hell-scape for some that’s filled with fear, for others it’s a playground ripe for making money. While this is a more interesting secondary plot point for Songbird, the real focus of the film is Nico (K.J. Apa), a courier who is immune to the virus. But the film doesn’t even focus on his role in helping facilitate the sale of black market immunity bracelets and the differences in class this takes advantage of. No, it’s about Nico and his attempt to save his girlfriend Sara (Sofia Carson), whom he has never been in the same room with.

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In fact, all of the interesting elements of Songbird are pushed to the side to facilitate a romance and a “thrilling” montage of motorcycle rides fast through abandoned streets to save the woman you love. As Nico races across Los Angeles in search of the only way to save Sara from the Q-Zone, much more interesting, if not forgotten story beats move around him. For example: a content creator making content from a motel room she got stuck in—which I’m not still entirely sure was necessary. There’s also a former music producer abusing his power, PTSD from deployment, and drones watching courier. They all exist in a film that is trying to do too much and still manages to do too little.

Honestly, I wanted Songbird to be good. For me, infection thrillers and horrors have been a powerful catharsis. While I don’t know when our pandemic will end, watching people in a movie who have it so much worse, toughing it out, and surviving just helps me get through it all. So when I saw the promotion for Songbird, the first feature film made during COVID-19 in Los Angeles, and about a related pandemic itself, I was hoping there would be some reward. I was looking for a critique of our situation, a look at class disparities, or even a damning exploration of corporate greed in our health system. But alas, Songbird (2020) is a love story that uses all the things I wanted it to be as set dressings.

It tries to show class with the rich couple to whom Nico delivers packages and is clearly not abiding by lockdown protocol. But this instance only exists to help Nico save his girlfriend. Songbird also features a disabled veteran wheelchair user who could have served as a look at the impact lockdowns, and the pandemic have on disabled individuals and communities, but he’s ultimately just a deus ex machina plot point.

The other more spoiler elements, like a Gestapo-esque head of the Department of Sanitation targeting the poor and working with the rich, could have been fruitful storytelling. Instead, Songbird is a film that is filled with character actors who do well in their individual roles, but when they come together for the larger story, they just crash into each other.

Now, if I have to say something nice about Songbird, Sara’s character and her relationship with her abuelita is refreshing. The Spanish doesn’t sound like it was taken from Google Translate, and it feels authentic in a way that made me want more. Plus, Apa’s Nico apparently only owns crop-tops, which is a win for leading men’s fashion everywhere. But that’s it.

Songbird is bland despite its attempts to be shocking or reflective. It’ll be interesting to see how the film is seen and interpreted by general audiences, but for now, for me, it’s a big “meh.”  While I can appreciate the want to be timely, they probably should have left this one in isolation a bit longer.

Songbird (2020) is available on Premium Video On-Demand.

Songbird
  • 3/10
    Rating - 3/10
3/10

TL;DR

Songbird is bland despite its attempts to be shocking or reflective. It’ll be interesting to see how the film is seen and interpreted by general audiences, but for now, for me, it’s a big “meh.”

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Kate Sánchez
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Kate Sanchez is Co-Founder and EIC of But Why Tho? She covers video games, film, TV, and anime. Kate is known for championing international media, animation, and media that tells stories from underrepresented perspectives. Kate is also a member of the Austin Film Critics Association and Hollywood Creative Alliance. As a freelance writer, she has bylines at MMORPG.com, IGN, and Game Informer.

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