Close Menu
  • Support Us
  • Login
  • Newsletter
  • News
  • Features
  • Interviews
  • Reviews
    • Video Games
      • Previews
      • PC
      • PS5
      • Xbox Series X/S
      • Nintendo Switch
      • Xbox One
      • PS4
      • Tabletop
    • Film
    • TV
    • Anime
    • Comics
      • BOOM! Studios
      • Dark Horse Comics
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Indie Comics
      • Marvel Comics
      • Oni-Lion Forge
      • Valiant Comics
      • Vault Comics
  • Podcast
  • More
    • Event Coverage
    • BWT Recommends
    • RSS Feeds
Facebook X (Twitter) Bluesky Instagram RSS
Support Us
But Why Tho?
RSS Facebook X (Twitter) Bluesky YouTube Instagram
Trending:
  • Features
    The Blair Witch Project (1999)

    ‘The Blair Witch Project’ (1999) Is More Striking Than Ever In New Blu-Ray Set

    10/31/2026
    Action from Modern Warfare 4

    ‘Modern Warfare 4’ Shows That Switch 2 Still Isn’t The Console For Shooters – But It’s Close

    10/31/2026
    Repo! The Genetic Opera Grave Robber

    ‘Repo! The Genetic Opera’ Is A Must-See Horror-Musical Masterpiece

    10/31/2026
    Characters that could join Marvel's Midnight Universe

    Marvel’s Midnight Universe: What Terrifying Stories Could Come Next?

    10/30/2026
    Bertha Russell - The Gilded Age

    The Gilded Age’s Bertha Russell Did Nothing Wrong

    10/30/2026
  • Netflix
  • Horror
  • Game Previews
  • Sports
  • TCG
But Why Tho?
Home » Features » Why I’m Incredibly Disappointed in “Tasha’s Cauldron of Everything”

Why I’m Incredibly Disappointed in “Tasha’s Cauldron of Everything”

Bruce BovilleBy Bruce Boville11/19/20204 Mins ReadUpdated:12/02/2020
Share Bluesky Facebook Twitter Reddit Copy Link
Follow Us
Add as Preferred on Google Flipboard Bluesky
The official art for TCoE
Share
Bluesky Twitter Facebook Copy Link Reddit Pinterest

The official art for Tashas Cauldron of Everything

I had a whole article prepared about races in fantasy and how Wizards of the Coast’s Dungeons and Dragons (D&D) franchise was going to address the problem of racism that is as old as the genre itself. The newest D&D book, “Tasha’s Cauldron of Everything,” has been much-hyped for its promise to provide new mechanics and lore to rework race in the incredibly popular game. This was even more important after Wizards came under fire for several racist cards that were eventually banned from their other major franchise, Magic: The Gathering.  It turns out that “Tasha’s Cauldron of Everything” didn’t do any of that. In fact, on issues of race, it feels like a massive sidestep of the issue at hand. 

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Ultimately, the book has exactly zero pages on race. Instead, it has less than two pages on how to tweak the “background” mechanic—which essentially gives bonuses based on a character’s upbringing—so that your character can be an atypical representation of their race. 

Instead of trying to move away from harmful Black stereotypes for orcs, the book shrugs and says “maybe your character isn’t a stupid brute with anger issues, but most orcs still are.” For those interested in a thorough, academic look into race in fantasy, I highly recommend Race and Popular Fantasy Literature: Habits of Whiteness, by Helen Young. It doesn’t take a PhD to recognize, however, that Wizards saying, in essence, “you can be one of the good ones” is tone-deaf at best.

“Tasha’s Cauldron of Everything” says that the rules from previous D&D books provide “suggestions” about personality and cultures for the “archetypal adventurers” of a given race. Adventurers are special and the ones of a given race who go on world-shaping quests tend to be special in similar ways. That’s why the rules say that all dwarves (or dwarf adventurers, apparently) have higher than average Constitution scores. 

The book doesn’t say anything about why the archetype for a D&D dwarf has a big nose, a big beard, and a language explicitly based on Hebrew. It also doesn’t say anything about why half-orcs have a “rage that simmers within them” and “feel emotion powerfully,” two common historical stereotypes for Black people. “Tasha’s Cauldron of Everything” certainly doesn’t explain why orcs are not a “civilized race” according to the “Player’s Handbook.”

Wizards opted not to try to address the racism built into the fantasy genre since The Lord of the Rings and Conan the Barbarian. Instead, they just said “you might be different,” which sounds an awful lot like “you might be one of the good ones,” to me.

“Tasha’s Cauldron of Everything” has not just failed to even try to make the genre less racist. From a purely mechanical perspective, the way this book deals with races is a deeply lazy move on Wizards’ part. They didn’t come up with new mechanics beyond one short (5×2) table for trading weapon and tool proficiencies. Instead, they just said, “do whatever you want.” 

Astute readers will note we could already do what we wanted with the rules because there’s no computer holding us back, only our imaginations. That’s the point of D&D. What we wanted was lore and mechanics to help move beyond the stereotypes.

It was already easy enough to make our own rules to avoid stereotypes if we wanted to. The internet abounds with examples of custom races and subraces. Matthew Mercer (of Critical Role fame) deliberately moved beyond orc stereotypes in his Wildemount campaign setting, noting that orcs in Wildemount are not inherently evil or violent. One of my favorite things to do is to make factions that are multiracial. What they do is a result of historical factors specific to the faction rather than biological predetermination. 

Someday, I’ll publish my article about race and why Wizards should change how they deal with it. I’ll talk about why fantasy authors should stop using the word “race,” in favor of something like “species.” (Hell, Tasha’s Cauldron of Everything even says that “character race in the game represents your character’s fantasy species”—then why are we calling it a race?). I’ll also address why their diversity statement doesn’t go nearly far enough.

For now, I’m deeply disappointed in Wizards’ decision to pretend that race isn’t an issue in their IPs.

Share. Bluesky Facebook Twitter Copy Link Pinterest LinkedIn WhatsApp Reddit
Previous Article‘Marvel’s Avengers’ Adds Kate Bishop In December
Next Article REVIEW: ‘Dolly Parton’s Christmas on the Square’ is Exactly as Holly and Jolly as You’d Think
Bruce Boville

Related Posts

The Blair Witch Project (1999)

‘The Blair Witch Project’ (1999) Is More Striking Than Ever In New Blu-Ray Set

10/31/2026
Action from Modern Warfare 4

‘Modern Warfare 4’ Shows That Switch 2 Still Isn’t The Console For Shooters – But It’s Close

10/31/2026
Repo! The Genetic Opera Grave Robber

‘Repo! The Genetic Opera’ Is A Must-See Horror-Musical Masterpiece

10/31/2026
Characters that could join Marvel's Midnight Universe

Marvel’s Midnight Universe: What Terrifying Stories Could Come Next?

10/30/2026
Bertha Russell - The Gilded Age

The Gilded Age’s Bertha Russell Did Nothing Wrong

10/30/2026
Modern Warfare 4 DMZ screenshot

Tales From The DMZ: Call Of Duty: Modern Warfare 4 — Let’s Make A mess!

10/29/2026

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here
TRENDING POSTS
Godzilla in Godzilla Minus Zero
5.5
Film

REVIEW: ‘Godzilla Minus Zero’ Is A Monster Of A Letdown

By Jason Flatt11/05/2026

Godzilla Minus Zero has decent fun mashing monsters together, but its human story falls apart, and its non-monster visuals are not up to standards.

Michael C. Hall in Dexter: Resurrection Season 2 Episode 2 
6.0
TV

RECAP: ‘Dexter: Resurrection’ Season 2 Episode 2 – “Fallen”

By James Preston Poole11/06/2026

Dexter: Resurrection Season 2 Episode 2 certainly has bountiful moments of intrigue, yet feels firmly stuck in setting up the season.

Shin Min-a in The Remarried Empress Episodes 1-4
8.5
TV

REVIEW: ‘The Remarried Empress’ Episodes 1-4

By Mike BC11/04/2026

The Remarried Empress Episodes 1-4 explore the complicated relationship between love, authority, and the responsibilities that come with both.

Nocturne Episode 3 still from Apple TV
7
TV

REVIEW: ‘Nocturne’ Season 1 Episode 3 — “Eyes on the Inside”

By Will Borger11/06/2026

Nocturne Episode 3 is like putting together a jigsaw puzzle without the box, eyeing the edge of the pieces to see how they might fit.

But Why Tho?
RSS X (Twitter) Bluesky YouTube Facebook Instagram Pinterest Twitch
  • CONTACT US
  • ABOUT US
  • PRIVACY POLICY
  • SUBSCRIBE TO OUR NEWSLETTER
  • Review Score Guide
Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small contribution.
Written Content is Copyright © 2026 But Why Tho? A Geek Community

Type above and press Enter to search. Press Esc to cancel.

But Why Tho Logo

Support Us!

We're able to keep making content thanks to readers like YOU!
Support independent media today with
Click Here