Toronto International Film Festival (TIFF)
Director Lee Hwan and actresses Han So-hee and Jeon Jong-seo discuss how what drew them to Project Y, the complex characters they play and more.
Writer/director Curry Barker discusses how operating on a lower budget impacts his process from writing to filming on Obsession and more.
Ahead of the world premiere of Whitetail, we spoke with writer/director Nanouk Leopold and actress Natasha O’Keeffe about the film.
Writer/director Yeon Sang-ho and the cast of The Ugly discuss how pivotal the characters were in addressing the film’s central themes.
Nanouk Leopold’s Whitetail is more a meditative drama rather than a thriller, characterized by its languid pace and quiet edge.
There’s no denying Yeon Sang-ho’s The Ugly will spark conversations, with the film leaving much to think about.
Unfolding with barbed, acerbic precision, No Other Choice slyly dissects the ouroboric state of corporate and workplace politics.
Whistle is a breath of fresh air, presenting a snapshot of a niche community that embraces whistling in all of its glorious tonal colors.
The Furious runs full steam ahead and never slows down, delivering frenetic blows and violence that will leave audiences breathless.
As a feature debut, Obsession shows Barker knows exactly how to make his audience squirm, and delivers hope for a promising future in horror.
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The Furious runs full steam ahead and never slows down, delivering frenetic blows and violence that will leave audiences breathless.
As a feature debut, Obsession shows Barker knows exactly how to make his audience squirm, and delivers hope for a promising future in horror.