Thriller

Halfway between a drama and a thriller, tragedy is key to Andrews’ storytelling in Bring Them Down, leaving you questioning if you’ll watch again.

Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.

Kaniehtiio Horn’s Seeds highlights her distinct voice and perspective and also confirms she deserves more leading lady material.

Righteously angry, Rebel Ridge is a pointed indictment of the United States policing system and a near perfect thriller.

As admirable as The Seed of The Sacred Fig is, heavy-handed messaging and a clunky third act keep it from greatness.

The Accident is a thrilling exploration of the darker sides of guilt and grief and how those emotions can ripple and destroy a community.

Vanished Into The Night treads familiar territory, providing little more than distraction as it fails to do much to elevate its characters.

Ryusuke Hamaguchi delivers a haunting and mournful thriller in his latest, Evil Does Not Exist, which shows the effects of urban gentrification.

ISS is a movie that uses its situation to ramp up the intensity and the actors rise up to meet it too, but doesn’t push past expectation.

From the beginning of Muted, it was clear that Sergio Ciscar was doomed from the start because those in power never saw him as a person.