Sundance
Plainclothes (2025)Â is an emotionally dense watch as Lucas comes into his truth, but his guilt weighs heavy.
LUZÂ is backed by an easy on the eyes aesthetic, but its wandering nature and lack of real insight leaves it as a missed opportunity.Â
Cole Webley and Robert Machoian’s Omaha (2025)Â is a family portrait you can’t pull your eyes away from, a movie that thrives in subtly.
Rose Byrne’s If I Had Legs I’d Kick You will make you want to crawl under my seat, it will make you want to simply stop existing.
It’s Never Over Jeff Buckley (2025) lifts the curtain back on the lost voice of a generation, revealing someone who contained multitudes.
Atropia (2025) is a different kind of military movie using comedy and irony to highlight the evils of war and the ridiculousness of being an actor.
Isabel Castro’s Selena Y Los Dinos doesn’t do much to add to Selena’s legacy, just small brief moments of vulnerability.
The joy and hope in The Ballad of Wallis Island is something we need right now, a comedy film with a timeless charm.
The Legend of Ochi (2025) stands out due to an open heart and trust in its young audience to handle an emotional, spooky narrative, conjuring up cinematic magic.
Benedict Cumberbatch’s The Thing With Feathers is an all-ages horror story about grief that is vital for young audiences.
TRENDING POSTS
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Bill Condon’s film is intimate while being a spectacle…Still, I dare anyone to enter Kiss of the Spider Woman and walk out the same.
Twinless (2025)Â is a tender film, a comedy, a love story, a friendship story, and it’s one you won’t stop thinking about.