Sundance

The mere existence of The Friend’s House is Here stands as a reminder that there will always be a future worth fighting for.

The Weight makes up for any inadequacy with a positively engrossing style that prioritizes making the audience feel involved.

See You When I See You captures hope and love, grief and pain, doing so with an earnestness that builds a bridge for the audience and its characters.

Undertone is a can’t miss horror event that feels like it will be mirrored for years to come by up-and-coming filmmakers.

The Gallerist is always funny and never stale with an electrically chaotic ensemble cast that keeps you laughing.

Josephine (2026) is a technically perfect film and it’s the emotional depth and tenderness approach to trauma that captures the audience.

Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.

The Moment (2026) is boring at best, vapid at worst, but it’s always confusingly boring for the amount of personality Charli xcx brings to it.

Buddy (2026) squanders its potential due to inconsistencies in its aesthetic, characterization, and a misjudged B-plot. 

Predators lacks the structure or commitment to completely confront its subject in a satisfying manner, but gets close in some key areas.