horror

Ariana DeBose talks House of Spoils, the importance of women storytelling and how it’s the first film she has worn her natural hair in.

From dramas to thrillers and comedic take on dark subjects, the best of Fantastic Fest 2024 spanned country, genre, and creative team.

A genuinely fun time at the movies. The ways that the team brought to life the Hellworld and Mr. Crocket’s viscerally camp kills drive the film home.

For all of its do-it-yourself charm, Chainsaws Were Singing falls onto its own chainsaw by letting its own bit drag out far past its prime.

Párvulos is built to be a powerful film, moving slowly to paint a family portrait that forces the audience to look at their own.

Mark Duplass’s The Creep Tapes is an unbeatable piece of genre storytelling that highlights creativity in self-restraint.

Uzumaki is a testament to Junji Ito’s work as much as it’s an adaptation. It was made by people who truly understand how terrifying gray and black can be.

Punk, cool, and genre-blending, Karan Kandhari’s Sister Midnight is a debut feature film that goes for the jugular.

Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A

Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.