Fantastic Fest

Halfway between a drama and a thriller, tragedy is key to Andrews’ storytelling in Bring Them Down, leaving you questioning if you’ll watch again.

For all of its do-it-yourself charm, Chainsaws Were Singing falls onto its own chainsaw by letting its own bit drag out far past its prime.

Bone Lake is a playful, twisty-turny take on relationships and aging that gets its kicks playing on audience assumptions about said topics.

Párvulos is built to be a powerful film, moving slowly to paint a family portrait that forces the audience to look at their own.

Mark Duplass’s The Creep Tapes is an unbeatable piece of genre storytelling that highlights creativity in self-restraint.

Memoir of a Snail is the perfect balance between depressing and funny, highlighting the depth that animation can provide as a medium.

Punk, cool, and genre-blending, Karan Kandhari’s Sister Midnight is a debut feature film that goes for the jugular.

The Apprentice is an aspiring crook epic, aiming to lay bare the moral rot that comes with capitalism. More often than not, it hits its target.

Jung Hae-in and Hwang Jung-min are a dynamic action duo that balance each other perfectly in I The Executioner.

Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A