Film
Appendage is a good film that manages to land its message of confronting intrusive thoughts with b-horror grossness intact.
The Herricanes is a film about badass women who loved the game of football in a time when the rest of the world said they shouldn’t.
Danny and Michael Philippou’s Talk to Me is brutal, stressful, terrifying, and somehow exquisitely heartbreaking.
Dungeons & Dragons: Honor Among Thieves is a good heist film. A good fantasy film. A good adventure. And above all else, a good D&D film.
Chang Can Dunk is a story we’ve seen, but it also iterates on those familiar concepts with impact by the film’s end.
Faraway is a satisfying middle-of-the-road drama of self-discovery with a tinge of romance as a mother learns to find herself again.
Scream VI is better than the last, proving that the franchise has ways to excite and build a larger Ghostface mythos without stopping.
The Sparrow gives nothing away easily and holds you so tightly all the way through until the very last frame in this tale of death and caged birds.
Aisha takes the asylum system that most everyone knows to be awful and demonstrates just how much so through the eyes of somebody going through it.
Róise & Frank perfectly blends humor and sincerity to make what may sound like a movie with a ridiculous premise into something absolutely satisfying and cathartic
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Thrash (2026) is pretty simple as far as thrillers go, even with its hybrid plot and complete genre switch from thriller to all-out shark action.
BTS The Comeback Live | ARIRANG cements BTS as one of the greats, a fantastic return filled with energy and confidence.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.














