Writer/director Yeon Sang-ho and the cast of The Ugly discuss how pivotal the characters were in addressing the film’s central themes.
Author: Sarah Musnicky
Nanouk Leopold’s Whitetail is more a meditative drama rather than a thriller, characterized by its languid pace and quiet edge.
There’s no denying Yeon Sang-ho’s The Ugly will spark conversations, with the film leaving much to think about.
Whistle is a breath of fresh air, presenting a snapshot of a niche community that embraces whistling in all of its glorious tonal colors.
The Furious runs full steam ahead and never slows down, delivering frenetic blows and violence that will leave audiences breathless.
As a feature debut, Obsession shows Barker knows exactly how to make his audience squirm, and delivers hope for a promising future in horror.
A Useful Ghost is more than its comedic-enriched premise. An underlying social commentary emerges that will stand the test of time.
While the story drags on too long, its pacing can’t overpower the utter sweetness and simplicity of teenage love in Love Untangled.







