As admirable as The Seed of The Sacred Fig is, heavy-handed messaging and a clunky third act keep it from greatness.
Author: Prabhjot Bains
Borderlands feels like glorified cosplay, where capable performers merely take position and feign emotion to get a nice group picture.
At its best, Deadpool & Wolverine is a raunchy, R-rated comedy that a pre-teen audience would find edgy—as lazy as a blockbuster can get.
In consistently trading provocation for surface-level evocation, West struggles to evolve the horror genre from the inside out with MaXXXine
The Bikeriders reads as a pretty love letter that’s quick to seduce us but gives us little reason to stay once its true, dull colours are laid bare.
Inside Out 2 is the rare Pixar sequel that justifies its existence, as a moving, human experience that embraces the magic of the animated form.
Bad Boys: Ride or Die is micro-content that’s ballooned way past its terminal point, subsisting off influencer cameos, feigned comedy, and gimmicky action.
In a political climate of increased censorship, the Monkey Man politics offer a critique of Indian sectarianism and it is a breath of fresh air.