Ratched spends much of its eight episodes stumbling down frustrating departures but eventually finds its stride towards the end of the season.
Author: Cait Kennedy
Cait Kennedy
Caitlin is a sweater enthusiast, film critic, and lean, mean writing machine based in Austin, TX. Her love of film began with being shown Rosemary’s Baby at a particularly impressionable age and she’s been hooked ever since. She loves a good bourbon and hates people who talk in movies. Caitlin has been writing since 2014 and you can find her work on Film Inquiry, The Financial Diet, Nightmarish Conjurings, and many others. Follow her on Twitter at @CaitDoes.
In these troubling times, The Personal History of David Copperfield is a lilting, energetic story that shines like a beacon through darkness.
Savage State is here to prove that women in the West can ride boldly alongside the legendary men of the genre at Fantasia Fest 2020.
A Mermaid in Paris is elegant and timeless in structure and effortlessly executed by a phenomenal cast. Find out more from Fantasia Fest 2020.
The Curse of Audrey Earnshaw is directed by Thomas Lee and stars Jessica Reynolds and Catherine Walker made it’s world premiere at Fantasia Fest 2020.
With Monster Seafood Wars, prepare to throw away any pretentious sensibilities. Screening during Fantasia Festival 2020’s virtual programming.
Not to make this review all about me, dear Reader, but give me a Western and some witches and I am on board. The automatic appeal of The Pale Door is that it strikes as arresting and refreshing. If you’ve seen the poster art for the film floating around, no doubt you’ve felt the pull of this film. The Pale Door is delightfully unfamiliar and boldly unique. I can’t think of the last time I watched a film like this. The Pale Door is directed by Aaron B. Koontz (who’s also responsible for Shudder’s Scare Package, which is just fantastic) and…
In the case of Sputnik, we see a prime example of what happens when a science fiction premise is stretched, squeezed, and molded into something more.