REVIEW: ‘Iron Man’ Issue 1 (2026)

Iron Man Issue 1 (2026) is published by Marvel Comics. Written by Joshua Williamson, art by Carmen Carnero, colors by Nolan Woodward and letters by Joe Caramagna.

In this first issue, Iron Man attends the inaugural Tony Stark Award ceremony, but it’s hijacked by Madame Masque and A.I.M. Williamson trades writing the biggest names at DC for the Armoured Avenger. Iron Man Issue 1 (2026) is a terrific reset, feeling familiar whilst still creating something new.

The origin of the Iron Man armor is revealed in a creative method, as the events are happening in the present day. It’s ominous and frightening, and a foreboding premonition of things to come. Then comes the glamour, fame, and stardom that make up Tony Stark’s life.

The book feels big and grand, with a lot happening in the first chapter. The commotion and gathering of people is a brazen target, but who they are specifically after is a comment misdirection. The eruption of action is intense and fast-paced, introducing the Iron Man armour into this new series with a chase sequence that moves at breathtaking speed. Following that comes guilt and a stomach-churning revelation for Tony. There isn’t much genuine surprise in Iron Man Issue 1 (2026) until the final moments, where Stark may be more than he thinks.

When it comes to personality, Williamson understands both Tony Stark and Iron Man tremendously. He’s got that arrogance and playfulness, enjoying the spotlight, but that’s only a small fraction of what makes the inventor such an incredible character.

Despite the supposed ego, Stark actually spends his speech honouring his father. He chooses to talk about who inspired him rather than his own magnificent intellect. And there’s also the guilt and self-loathing that pervade his mind. His plans and decisions often lead to disaster, especially when his enemies benefit from them.

The supporting cast comprises classic figures. Melinda May, most famous for debuting in Agents of S.H.I.E.L.D. She serves as more than just Tony’s assistant; she’s closer to his handler. She’s rude and mean, keeping him in check and forcing him to grow her command. The lightness of Iron Man Issue 1 (2026) comes from Pepper Potts, back in an Iron Man series for the first time in a long time.

They aren’t together, but it’s flirtatious and definitely the start of a closer chemistry. Madame Masque and A.I.M. aren’t usually together, with Madame Masque most notably a member of the Maggia Crime Family in New York. But combining makes Madame Masque more dangerous, and a fascinating way of aligning two of Iron Man’s villains.

The art is spectacular. There are already multiple different iterations of the Iron Man armor and other technology. One for fighting Blizzard in the opening pages, with what are presumably custom features to protect Stark from the cryogenic villain’s powers. The second armor is much more recognizable, and Carnero illustrates it superbly. It’s big, sleek and impressive, much taller than Tony Stark’s usual height. So much so that Pepper looks tiny in his arms. The huge arms, broad chestplate and extra attachments on the back add to its size and presence on the page.

Tony can be captivating when out of the armor too. He looks charming and handsome, refreshed for a new Iron Man Issue 1 (2026). His hair is long, and he has certainly aged within the Marvel Universe. There is another brilliant mind on the issue, much younger and clearly far from having the charisma of Tony Stark.

His suit is far too big, and he looks nervous in busy, public spaces. Pepper looks happy and brilliant alongside Iron Man. The action is phenomenal. The way Iron Man bursts into action, showing through the air after A.I.M. is instantly captivating, generating a sense of movement, speed and energy.

The colors are extraordinary, with a terrific contrast. The red and yellow that make up most of Iron Man’s armor clashes with the bright blue of the energy created by him. At the arena where the Tony Stark Award is being held, that contrast remains in effect. The spotlights exude a yellow and orange glow, making the applauding audience purple. It makes the comic warm and colorful, a welcoming introduction to the characters and Stark. It’s positive, well, the cold-blood backstage is more troublesome and unsettling. The lettering is crisp and clear.

Iron Man Issue 1 (2026)  welcomes both returning fans and newcomers. It’s a fresh start for Tony without shedding all his history. You can know nothing or everything about him, and you will easily be able to pick up this book. It contains his celebrity status, his genius intellect and the weight of the world he placed on his own shoulders. Williamson is incredibly experienced and talented, as are all of the art team members. It gives Iron Man the best launchpad for another great run.

Iron Man Issue 1 (2026) is available where comics are sold.