Sundance
The Legend of Ochi (2025) stands out due to an open heart and trust in its young audience to handle an emotional, spooky narrative, conjuring up cinematic magic.
Benedict Cumberbatch’s The Thing With Feathers is an all-ages horror story about grief that is vital for young audiences.
Bill Condon’s film is intimate while being a spectacle…Still, I dare anyone to enter Kiss of the Spider Woman and walk out the same.
Justin Lin’s Last Days (2025) will undoubtedly find its audience, but it relies on how you view missionary work.
The Wedding Banquet (2025) enters the Asian American and queer cinema canon with pride, heart, and a message that we desperately need.
Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Train Dreams (2025) is a gorgeous story of love and loss and, ultimately, just about life with Joel Edgerton as it’s intimate center.
Rabbit Trap (2025) is a folk horror story that deals more with discomfort than with scares and loses itself in style over substance.
Beauty is brutal in Shudder’s The Ugly Stepsister, and Emilie Blichfeldt understands exactly how to capture that viscerally.
Twinless (2025) is a tender film, a comedy, a love story, a friendship story, and it’s one you won’t stop thinking about.
TRENDING POSTS
The Moment (2026) is boring at best, vapid at worst, but it’s always confusingly boring for the amount of personality Charli xcx brings to it.
Buddy (2026) squanders its potential due to inconsistencies in its aesthetic, characterization, and a misjudged B-plot.
Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.















