No maps. No markers. No mercy. Hell is Us trusts you to listen, to feel, and to get lost. And in doing so, it offers something truly rare: a soul.
Author: Adrian Ruiz
Adrian Ruiz
I am just a guy who spends way to much time playing videos games, enjoys popcorn movies more than he should, owns too much nerdy memorabilia and has lots of opinions about all things pop culture. People often underestimate the effects a movie, an actor, or even a video game can have on someone. I wouldn’t be where I am today without pop culture.
Hololive EN turned Radio City in New York City into the pure expression of fandom: chants, penlights, and community in perfect sync.
From Nightwing comics to The Comic Den in Inglewood, Cheyenne Ewulu brings authenticity and heart to The Comic Shop’s Core Four of geek misfits.
At Anime NYC, Love and Deepspace showed it’s more than just a new otome game, it’s already a convention phenomenon with a thriving fanbase.
Shinya Ohira brings his expressive style to Visions Volume 3’s Black, a stormtrooper short driven by music, pain, and the power of animation.
James Waugh breaks down Star Wars Visions Volume 3 from its “mixtape” format to its bold themes and cultural influences.
Visions Volume 3’s Black is a haunting, jazz-fueled short that strips away dialogue to explore war, identity, and the humanity of a stormtrooper.
Sonic Racing CrossWorlds blends speed, style, and fan service into SEGA’s flashiest racer yet, understanding what makes kart racing tick.