Return to Silent Hill not only feels misguided and uninspired in form, feel, and function, but it also manifests as a new low for the video game adaptation.
Author: Prabhjot Bains
While undeniably messy and scattershot, Anaconda (2025) brims with set pieces that tow a hilarious line between the absurd and relatable.
Song Sung Blue unfolds as an impersonation of all the cliches, tropes, and cloying beats that have defined the music biopic for the last quarter century.
The Housemaid manifests as a campy comedy caught in the shell of a straight-faced thriller and, in turn, unleashes one of the hottest messes in recent memory
Silent Night, Deadly Night flickers off the screen as an experience that shares more with cash-grabby holiday flicks than anything visceral.
In banking so much of its genre exercise on setups and backstories Wake Up Dead Man suffocates before it can even get started.
Unfolding with barbed, acerbic precision, No Other Choice slyly dissects the ouroboric state of corporate and workplace politics.
To enter Sirat’s dominion is to enter a cinematic trance so engulfing that we become one with its oppressively gorgeous desertscape.







